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Yevgeny Sudbin|Haydn: Keyboard Sonatas Nos. 47, 53, 60

Haydn: Keyboard Sonatas Nos. 47, 53, 60

Yevgeny Sudbin

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The young Russo-British pianist Yevgeny Sudbin has inspired wildly varying reactions from critics and listeners, and he may be one of those artists whom you simply like or not. His technical skills are unquestioned, and he gets your attention with unusual gestures early on and coherently follows through on them. This collection of Haydn sonatas and other keyboard works, all pretty often played except for the Fantasia in C major, Hob. 17/4, certainly stands out from the crowd. Playing a modern piano, Sudbin forges a distinctive sound that looks forward in time to the Romantics without losing the Classical-era dimensions. Sudbin's readings are free, intimate, and often humorous, an aspect of Haydn's music on which he lays great stress in his own booklet notes (given in English, French, and German). They're also quirky in the extreme. The most obvious manifestation of this is the heavy but irregularly applied use of added ornamentation, based not on any historical considerations but on whether the artist "feels" it seems to be called for. Other odd moves include generally free tempos, the mixture of two versions of the middle movement of the Piano Sonata in C major, Hob. 16/50, and the use of two pedals at the same time in the opening movement of that work, producing, in Sudbin's words, an "almost Scriabin-esque sound" (nicely captured by BIS' engineers, to be sure). To top it all off, there's a sort of lightly improvised piano rendition of the finale of the String Quartet in D major, Op. 64/5, "The Lark," given the not graceful title "Larking with Haydn." Does it all hold together? Maybe, but it's unlikely to make a good place to start with Haydn's keyboard music.

© TiVo

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Haydn: Keyboard Sonatas Nos. 47, 53, 60

Yevgeny Sudbin

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Keyboard Sonata No. 47 in B Minor, Hob. XVI:32 (Joseph Haydn)

1
I. Allegro moderato
00:06:25

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

2
II. Menuet
00:04:22

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

3
III. Finale. Presto
00:04:42

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

Keyboard Sonata in C Major, Op. 79, Hob. XVI:50 (Joseph Haydn)

4
I. Allegro
00:12:00

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

5
II. Adagio
00:05:58

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

6
III. Allegro molto
00:02:24

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

Keyboard Sonata No. 53 in E Minor, Hob. XVI:34 (Joseph Haydn)

7
I. Presto
00:05:46

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

8
II. Adagio
00:04:55

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

9
III. Vivace molto
00:03:31

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

Fantasia in C Major, Hob. XVII:4 (Joseph Haydn)

10
Fantasia (Capriccio) in C Major, Hob XVII:4
00:06:23

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

Variations in F Minor, Hob. XVII:6, "un piccolo divertimento" (Joseph Haydn)

11
Keyboard Sonata in F Minor, Hob. XVII:6, "un piccolo divertimento: Variations"
00:15:00

Franz Joseph Haydn, Composer - Yevgeny Sudbin, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Jens Braun, Producer, Engineer

2010 BIS 2010 (P) BIS

String Quartet No. 53 in D Major, Op. 64, No. 5, Hob. III:63, "the Lark" (Joseph Haydn)

12
IV. Finale. Vivace (Arr. For piano)
00:03:40

Franz Joseph Haydn, Composer - Yevgeny Sudbin, Arranger, MainArtist, AssociatedPerformer - Matthias Spitzbarth, MasteringEngineer - Robert Suff, ExecutiveProducer - Michaela Wiesbeck, Editor - Elisabeth Kemper, Editor - Marion Schwebel, Producer, Engineer

2010 BIS 2010 (P) BIS

Albumbeschreibung

The young Russo-British pianist Yevgeny Sudbin has inspired wildly varying reactions from critics and listeners, and he may be one of those artists whom you simply like or not. His technical skills are unquestioned, and he gets your attention with unusual gestures early on and coherently follows through on them. This collection of Haydn sonatas and other keyboard works, all pretty often played except for the Fantasia in C major, Hob. 17/4, certainly stands out from the crowd. Playing a modern piano, Sudbin forges a distinctive sound that looks forward in time to the Romantics without losing the Classical-era dimensions. Sudbin's readings are free, intimate, and often humorous, an aspect of Haydn's music on which he lays great stress in his own booklet notes (given in English, French, and German). They're also quirky in the extreme. The most obvious manifestation of this is the heavy but irregularly applied use of added ornamentation, based not on any historical considerations but on whether the artist "feels" it seems to be called for. Other odd moves include generally free tempos, the mixture of two versions of the middle movement of the Piano Sonata in C major, Hob. 16/50, and the use of two pedals at the same time in the opening movement of that work, producing, in Sudbin's words, an "almost Scriabin-esque sound" (nicely captured by BIS' engineers, to be sure). To top it all off, there's a sort of lightly improvised piano rendition of the finale of the String Quartet in D major, Op. 64/5, "The Lark," given the not graceful title "Larking with Haydn." Does it all hold together? Maybe, but it's unlikely to make a good place to start with Haydn's keyboard music.

© TiVo

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