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The reason this record is "legendary" is because it marks the first recorded performances, in 1970, of Eddie and Charlie Palmieri as bandleaders. The reason it should be a near mythical recording (it has never been available in the U.S. on CD, and was long out of print on LP before CDs made the scene), is for its musical quality and innovation. The Palmieris formed a band of themselves, a couple of Latinos that included Andy Gonzales, jazz-funk great -- even then -- Bernard "Pretty" Purdie, and some white guys and taught them how to play a music that was equal parts Cuban mambo, American soul via Stax/Volt, blues, Funkadelic-style rock, pop-jazz, and harmonic and instrumental arrangements every bit as sophisticated as Burt Bacharach's or Henry Mancini's or even Stan Kenton's. One can hear in "Harlem River Drive (Theme)" and "Idle Hands" a sound akin to War's on World Is a Ghetto. Guess where War got it? "If (We Had Peace)" was even a model for Lee Oskar's "City, Country, City." And as much as War modeled their later sound on this one record, as great as they were, they never reached this peak artistically. But there's so much here: the amazing vocals (Jimmy Noonan was in this band), the multi-dimensional percussion section, the tight, brass-heavy horn section, and the spaced-out guitar and keyboard work (give a listen to "Broken Home") where vocal lines trade with a soprano saxophone and a guitar as snaky keyboards create their own mystical effect. One can bet that Chick Corea heard in Eddie's piano playing a stylistic possibility for Return to Forever's Light As a Feather and Romantic Warrior albums. The band seems endless, as if there are dozens of musicians playing seamlessly together live -- dig the percussion styling of Manny Oquendo on the cowbell and conga and the choral work of Marilyn Hirscher and Allan Taylor behind Noonan. Harlem River Drive is a classic because after 30-plus years, it still sounds as if listeners are the ones catching up to it. It's worth every dime you pay for it, so special order it today.
© Thom Jurek /TiVo
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Jay Messina, Engineer, Engineer & Mixer - Ronnie Cuber, Saxophone, Bass-Baritone, Bass-Baritone Vocals - Eddie Palmieri, Producer, Arranger, Piano - Allan Taylor, Chorus - Victor Venegas, Bass - Charlie Palmieri, Organ - Jimmy Norman, Vocals - Ian Jones, Masterer, MasteringEngineer - Harlem River Drive, MainArtist - Calvin Clash, Composer - Lockie Edwards, Producer - Marilyn Hirscher, Chorus - Bob Bianco, Guitar - Reggie Ferguson, Drums - Eladio Perez, Congas - Nick Marrero, Drums - Fred Weinberg, Engineer, Recorder
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Cornell Dupree, Guitar - Gerald Jemmott, Bass - Jay Messina, Engineer, Engineer & Mixer - Burt Collins, Trumpet - Ronnie Cuber, Orchestra, Arranger, Bass-Baritone, Brass, Bass-Baritone Vocals - Eddie Palmieri, Producer, Arranger, Piano - Allan Taylor, Chorus - Jimmy Norman, Vocals - Ian Jones, Masterer, MasteringEngineer - Harlem River Drive, MainArtist - Lockie Edwards, Producer - Marilyn Hirscher, Chorus - Dean Robert Pratt, Drums - Bruce L Fowler, Trombone - Fred Weinberg, Engineer, Recorder
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Bernard Purdie, Drums - Cornell Dupree, Guitar - Gerald Jemmott, Bass - Jay Messina, Engineer, Engineer & Mixer - Ronnie Cuber, Bass-Baritone, Bass-Baritone Vocals - Eddie Palmieri, Producer, Arranger, Piano - Allan Taylor, Chorus - Jimmy Norman, Vocals - Ian Jones, Masterer, MasteringEngineer - Harlem River Drive, MainArtist - Lockie Edwards, Producer - Marilyn Hirscher, Composer, Chorus - Eladio Perez, Congas - Nick Marrero, Drums - Bruce L Fowler, Trombone - Dick Meza, Vocals - Fred Weinberg, Engineer, Recorder
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Jay Messina, Engineer, Engineer & Mixer - Ronnie Cuber, Saxophone - Eddie Palmieri, Producer, Arranger, Piano - Allan Taylor, Chorus - Victor Venegas, Bass - Charlie Palmieri, Organ - Jimmy Norman, Vocals - Ian Jones, Masterer, MasteringEngineer - Harlem River Drive, MainArtist - Calvin Clash, Composer - Lockie Edwards, Producer - Marilyn Hirscher, Chorus - Bob Bianco, Guitar - Nick Marrero, Drums - Manny Oquendo, Bells, Congas - Fred Weinberg, Engineer, Recorder
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Andy Gonzalez, Bass - Cornell Dupree, Guitar - Randy Brecker, Trumpet - Barry Rogers, Trombone - Jay Messina, Engineer, Engineer & Mixer - Bob Mann, Guitar - Ronnie Cuber, Saxophone - Eddie Palmieri, Producer, Arranger, Piano, Writer - Allan Taylor, Chorus - Victor Venegas, Bass - Jimmy Norman, Vocals - Ian Jones, Masterer, MasteringEngineer - Harlem River Drive, MainArtist - Calvin Clash, Composer - Lockie Edwards, Producer - Marilyn Hirscher, Chorus - Eladio Perez, Congas - Dick Meza, Vocals - Manny Oquendo, Drums - Bernard Purdy, Drums - Fred Weinberg, Engineer, Recorder - Calbin Clash, Writer
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Albumbeschreibung
The reason this record is "legendary" is because it marks the first recorded performances, in 1970, of Eddie and Charlie Palmieri as bandleaders. The reason it should be a near mythical recording (it has never been available in the U.S. on CD, and was long out of print on LP before CDs made the scene), is for its musical quality and innovation. The Palmieris formed a band of themselves, a couple of Latinos that included Andy Gonzales, jazz-funk great -- even then -- Bernard "Pretty" Purdie, and some white guys and taught them how to play a music that was equal parts Cuban mambo, American soul via Stax/Volt, blues, Funkadelic-style rock, pop-jazz, and harmonic and instrumental arrangements every bit as sophisticated as Burt Bacharach's or Henry Mancini's or even Stan Kenton's. One can hear in "Harlem River Drive (Theme)" and "Idle Hands" a sound akin to War's on World Is a Ghetto. Guess where War got it? "If (We Had Peace)" was even a model for Lee Oskar's "City, Country, City." And as much as War modeled their later sound on this one record, as great as they were, they never reached this peak artistically. But there's so much here: the amazing vocals (Jimmy Noonan was in this band), the multi-dimensional percussion section, the tight, brass-heavy horn section, and the spaced-out guitar and keyboard work (give a listen to "Broken Home") where vocal lines trade with a soprano saxophone and a guitar as snaky keyboards create their own mystical effect. One can bet that Chick Corea heard in Eddie's piano playing a stylistic possibility for Return to Forever's Light As a Feather and Romantic Warrior albums. The band seems endless, as if there are dozens of musicians playing seamlessly together live -- dig the percussion styling of Manny Oquendo on the cowbell and conga and the choral work of Marilyn Hirscher and Allan Taylor behind Noonan. Harlem River Drive is a classic because after 30-plus years, it still sounds as if listeners are the ones catching up to it. It's worth every dime you pay for it, so special order it today.
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 5 Track(s)
- Gesamte Laufzeit: 00:31:21
- Künstler: Harlem River Drive
- Komponist: Various Composers
- Label: Parlophone UK
- Genre: Jazz Latin Jazz
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
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