Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
This release marks the 70th birthday of composer Cecilia McDowall, whose music has always been difficult to classify. Is it neotraditional English cathedral music in the classic mode? A modern adaptation of Renaissance styles? A carrying forward of the English pastoral style? Yes, to all, but there is always something in her works that goes beyond such parameters. Perhaps the best way to approach her music is through the varied texts she sets, and this is no less true of this collection of sacred choral pieces than in any of her other works. Here, she uses not just traditional liturgical texts but, in the highly effective Standing as I do before God, the last words of British nurse and World War I POW Edith Cavell before her execution in Germany. McDowall often begins a piece with pure consonance that leads listeners to expect a more traditional sound than they end up getting. She inflects the harmony according to the text, producing a musical language that is both flexible and highly accessible; there is also an organ work about which a similar point could be made even though there is no text. McDowall is not much known outside Britain, and this release is particularly to be commended to U.S. collegiate choirs and their directors. The Choir of Trinity College Cambridge was recorded on two separate occasions two years apart, with presumably completely different undergraduate singers, but it would be difficult or impossible for even a hearer who knows the choir well to distinguish between the two sessions. This is a testament to the consistency of sound achieved by director Stephen Layton and Hyperion's engineers, familiar indeed with the Trinity College Chapel (the organ music was recorded elsewhere), deliver similar consistency.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - Sean Street, Author - Anita Monserrat, Soprano, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Stephen Layton, Conductor, MainArtist - St. Thomas Aquinas, Author - Cecilia McDowall, Composer - Annabel Green, Soprano, AssociatedPerformer - Edward Cunningham, Tenor, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist - Susannah Hill, Soprano, AssociatedPerformer - Lucy Sun, Soprano, AssociatedPerformer
℗ 2021 Hyperion Records Limited
Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - John Walton, Author - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist - Molly Noon, Soprano, AssociatedPerformer - Nina Vinther, Alto, AssociatedPerformer - Susannah Hill, Soprano, AssociatedPerformer - Joseph Deery, Tenor, AssociatedPerformer - Benjamin Thurlow, AssociatedPerformer, Bass (Vocal)
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer
℗ 2021 Hyperion Records Limited
Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - Madeleine Todd, Soprano, MainArtist, AssociatedPerformer - Anita Monserrat, Soprano, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist
℗ 2021 Hyperion Records Limited
Albumbeschreibung
This release marks the 70th birthday of composer Cecilia McDowall, whose music has always been difficult to classify. Is it neotraditional English cathedral music in the classic mode? A modern adaptation of Renaissance styles? A carrying forward of the English pastoral style? Yes, to all, but there is always something in her works that goes beyond such parameters. Perhaps the best way to approach her music is through the varied texts she sets, and this is no less true of this collection of sacred choral pieces than in any of her other works. Here, she uses not just traditional liturgical texts but, in the highly effective Standing as I do before God, the last words of British nurse and World War I POW Edith Cavell before her execution in Germany. McDowall often begins a piece with pure consonance that leads listeners to expect a more traditional sound than they end up getting. She inflects the harmony according to the text, producing a musical language that is both flexible and highly accessible; there is also an organ work about which a similar point could be made even though there is no text. McDowall is not much known outside Britain, and this release is particularly to be commended to U.S. collegiate choirs and their directors. The Choir of Trinity College Cambridge was recorded on two separate occasions two years apart, with presumably completely different undergraduate singers, but it would be difficult or impossible for even a hearer who knows the choir well to distinguish between the two sessions. This is a testament to the consistency of sound achieved by director Stephen Layton and Hyperion's engineers, familiar indeed with the Trinity College Chapel (the organ music was recorded elsewhere), deliver similar consistency.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 18 Track(s)
- Gesamte Laufzeit: 01:09:46
- 1 digitales Booklet
- Künstler: Stephen Layton The Choir of Trinity College Cambridge
- Komponist: Cecilia McDowall
- Label: Hyperion
- Genre: Klassik
© 2021 Hyperion Records Limited ℗ 2021 Hyperion Records Limited
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.