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Janine Jansen|"Beau Soir" (Oeuvres de Debussy, Dubugnon, Messiaen, Ravel)

"Beau Soir" (Oeuvres de Debussy, Dubugnon, Messiaen, Ravel)

Itamar Golan

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Dutch violin virtuoso Janine Jansen turns her considerable talents to Impressionist and post-Romantic French repertoire in this album devoted to music evocative of the evening, night, and dreams. The recital includes the premiere recordings of three brief works by contemporary French composer Richard Dubugnon, and while they would not be mistaken for products of the early 20th century, their language and sensibility are very much linked to the works of Debussy, Fauré, Lili Boulanger, Messiaen, and Ravel that make up the rest of the album. Jansen has been a generalist, recording works from Vivaldi and Bach to Beethoven, Tchaikovsky, and Britten. French music has not been a large presence in her repertoire, although she played the premiere of Dubugnon's Violin Concerto, which he wrote for her. For the most part she avoids the wispiness that can afflict interpretations of "Impressionist" repertoire, a term Debussy hated. That delicacy is perfectly suited, however, to Heifetz's arrangement of Debussy's early song, Beau soir. She's entirely successful in Ravel's vigorous Sonata in G major, and she nicely captures the looseness of the music's vernacular elements. Dubugnon's character pieces are lyrical, lovely, and expertly scored. Pianist Itamar Golan provides a strong, nuanced, and idiomatically sensitive accompaniment. Decca's sound is clean and vivid. The closeness of the miking may be a problem for listeners who do not enjoy hearing a player's breathing as a significant performance element. The predictability of Jansen's sniffs as pickups to every phrase, with their volume a sure predictor of the intensity of the phrase, can wear very thin very quickly and mars an otherwise lovely performance.

© TiVo

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"Beau Soir" (Oeuvres de Debussy, Dubugnon, Messiaen, Ravel)

Janine Jansen

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Violin Sonata in G Minor, L. 140 (Claude Debussy)

1
I. Allegro vivo
00:04:52

Claude Debussy, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

2
II. Intermède. Fantasque et léger
00:04:26

Claude Debussy, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

3
III. Finale. Très animé
00:04:33

Claude Debussy, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Beau Soir (Claude Debussy)

4
Debussy: Beau Soir, L. 6
00:02:16

Claude Debussy, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Jascha Heifetz, Arranger, Work Arranger - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Suite bergamasque, L. 75 (Claude Debussy)

5
Clair de lune (Arr. A. Roelens for Violin and Piano)
00:04:22

Claude Debussy, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel - Alexandre Roelens, Arranger, Work Arranger

℗ 2010 Decca Music Group Limited

La Minute Exquise (Richard Dubugnon)

6
Dubugnon: La minute exquise
00:03:15

Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Richard Dubugnon, ComposerLyricist - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Nocturno (Lili Boulanger)

7
Boulanger: Nocturne
00:03:18

Lili Boulanger, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Hypnos (Richard Dubugnon)

8
Hypnos
00:04:49

Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Richard Dubugnon, ComposerLyricist - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Thème et Variations (Olivier Messiaen)

9
Messiaen: Thème et Variations
00:10:35

Olivier Messiaen, ComposerLyricist - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

10
Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano)
00:03:25

Gabriel Fauré, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Violin Sonata in G Major, M. 77 (Maurice Ravel)

11
I. Allegretto
00:08:25

Maurice Ravel, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

12
II. Blues. Moderato
00:05:39

Maurice Ravel, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

13
III. Perpetuum mobile. Allegro
00:03:55

Maurice Ravel, Composer - Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Retour à Montfort-Lamaury (Richard Dubugnon)

14
Dubugnon: Retour à Montfort-Lamaury
00:05:41

Friedemann Engelbrecht, Producer, Recording Producer - Itamar Golan, Piano, MainArtist, AssociatedPerformer - Richard Dubugnon, ComposerLyricist - Janine Jansen, Violin, MainArtist, AssociatedPerformer - Philipp Knop, Recording Engineer, StudioPersonnel

℗ 2010 Decca Music Group Limited

Albumbeschreibung

Dutch violin virtuoso Janine Jansen turns her considerable talents to Impressionist and post-Romantic French repertoire in this album devoted to music evocative of the evening, night, and dreams. The recital includes the premiere recordings of three brief works by contemporary French composer Richard Dubugnon, and while they would not be mistaken for products of the early 20th century, their language and sensibility are very much linked to the works of Debussy, Fauré, Lili Boulanger, Messiaen, and Ravel that make up the rest of the album. Jansen has been a generalist, recording works from Vivaldi and Bach to Beethoven, Tchaikovsky, and Britten. French music has not been a large presence in her repertoire, although she played the premiere of Dubugnon's Violin Concerto, which he wrote for her. For the most part she avoids the wispiness that can afflict interpretations of "Impressionist" repertoire, a term Debussy hated. That delicacy is perfectly suited, however, to Heifetz's arrangement of Debussy's early song, Beau soir. She's entirely successful in Ravel's vigorous Sonata in G major, and she nicely captures the looseness of the music's vernacular elements. Dubugnon's character pieces are lyrical, lovely, and expertly scored. Pianist Itamar Golan provides a strong, nuanced, and idiomatically sensitive accompaniment. Decca's sound is clean and vivid. The closeness of the miking may be a problem for listeners who do not enjoy hearing a player's breathing as a significant performance element. The predictability of Jansen's sniffs as pickups to every phrase, with their volume a sure predictor of the intensity of the phrase, can wear very thin very quickly and mars an otherwise lovely performance.

© TiVo

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