Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Everything Everything|A Fever Dream

A Fever Dream

Everything Everything

Disponible en
24-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

After taking on topics like contemporary media, technology, politics, and world events on 2015's Get to Heaven, art-rockers Everything Everything continue in kind, addressing escalating instability on their fourth album, A Fever Dream. Released in August 2017, it doesn't shy away from politics but doesn't name names, either, instead mixing the absurdity and anxiety of the Zeitgeist with themes of dreams and nightmares, and sleep and wakefulness. On the musical side, songwriters Jonathan Higgs and Alex Robertshaw reported reconnecting with what got them excited about music early in their careers, whether it be experimenting with electronics or a more impulsive guitar sound. The two worked together on every track here for the first time, and the results are confrontational right from the start with the striking dance-rock of "Night of the Long Knives." Lyrics like "There's a car overturned and it isn't stopping anytime soon" and the chorus' "It's a real big shame about your neighborhood" are accompanied by needling, staccato sixteenth notes that move between instruments, as well as driving drums, funky basslines, and sporadic siren-like synths. Catchy and unsettling turn out to be unifying forces on the album. Elsewhere, "Put Me Together" opens with restrained electronic drums, humming keys, and voice samples that sound as if played in reverse. Melodic guitar and Higgs' spacy falsetto enter as the song steadily builds into a cacophonous mix of electronic noise, guitar, improvised drums, and the repeated wail "I've been sleeping," before it again cycles through relative quiet and swirling noise. The more melancholy and ultimately dance-inducing title track goes through similar transformations ("The fear and the fury/Make me feel good"). Though the record includes improvised elements, the songs are a little more predictable, at least in terms of structure, than past albums. They still rattle, croon, and rollick in off-kilter fashion, though, like a steampunk dystopia where everything, even an ostensible ballad, is danceable and has an electric guitar solo. Altogether, A Fever Dream is confrontational, warped, emotionally and aurally high-contrast, and full of turmoil, but reliable in its infectiousness.

© Marcy Donelson /TiVo

Plus d'informations

A Fever Dream

Everything Everything

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Night of the Long Knives
00:04:38

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist, Programmer - Alex Robertshaw, Composer, Programmer, Synthesizer - Jeremy Pritchard, Bass Guitar, Composer - Michael Spearman, Composer, Drums, Percussion - James Ford, Producer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

2
Can't Do
00:03:32

Everything Everything, Associated Performer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist, Programmer - Alexander Robertshaw, Composer, Guitar, Keyboards, Programmer - Jeremy Pritchard, Bass Guitar, Composer, Keyboards - Michael Spearman, Composer, Drums, Programmer - James Ford, Producer, Programmer - Jimmy Robertson, Engineer - Ben McClusky, Assistant Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Joe McCann, Assistant Engineer - Cenzo Townshend, Mixing Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

3
Desire
00:03:25

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist - Michael Spearman, Composer, Drums, Other - Jeremy Pritchard, Bass Guitar, Composer, Other - Alex Robertshaw, Composer, Guitar, Programmer, Synthesizer - James Ford, Producer, Programmer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

4
Big Game
00:03:48

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Guitar, Lyricist, Other, Percussion - Michael Spearman, Composer, Drums, Other, Percussion - Jeremy Pritchard, Bass Guitar, Composer, Other - Alex Robertshaw, Composer, Guitar, Programmer, Synthesizer - James Ford, Producer, Programmer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

5
Good Shot, Good Soldier
00:04:50

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist - Michael Spearman, Composer, Drums - Jeremy Pritchard, Bass Guitar, Composer, Synthesizer - Alex Robertshaw, Composer, Guitar, Programmer, Synthesizer - James Ford, Producer, Synthesizer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

6
Run the Numbers
00:03:38

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Guitar, Lyricist, Programmer - Michael Spearman, Composer, Drums - Jeremy Pritchard, Bass Guitar, Composer - Alex Robertshaw, Composer, Guitar, Programmer - James Ford, Producer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

7
Put Me Together
00:05:32

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist, Programmer - Michael Spearman, Composer, Drums, Percussion - Jeremy Pritchard, Bass Guitar, Cello, Composer - Alex Robertshaw, Composer, Guitar, Programmer, Synthesizer - James Ford, Producer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

8
A Fever Dream
00:05:59

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Keyboards, Lyricist, Piano, Programmer, Synthesizer - Michael Spearman, Composer, Drums - James Ford, Keyboards, Producer, Programmer, Synthesizer - Jeremy Pritchard, Bass Guitar, Composer - Alex Robertshaw, Composer, Guitar, Programmer, Synthesizer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

9
Ivory Tower
00:03:53

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Acoustic Guitar, Composer, Drums, Guitar, Lyricist, Percussion - Michael Spearman, Composer, Drums, Other, Percussion - Jeremy Pritchard, Bass Guitar, Composer, Guitar, Synthesizer - Alex Robertshaw, Composer, Guitar, Programmer, Synthesizer - James Ford, Drums, Producer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

10
New Deep
00:02:26

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist, Programmer, Recording Engineer - James Ford, Other, Producer, Programmer - Jeremy Pritchard, Composer, Other - Alex Robertshaw, Composer - Michael Spearman, Composer, Piano - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

11
White Whale
00:04:49

Everything Everything, Associated Performer, Engineer, Main Artist, Producer - Jonathan Higgs, Composer, Lyricist, Programmer - Michael Spearman, Composer, Drums - Jeremy Pritchard, Bass Guitar, Composer, Other, Synthesizer - Alex Robertshaw, Composer, Guitar, Other, Programmer, Synthesizer - James Ford, Keyboards, Producer, Programmer - Jimmy Robertson, Engineer - Chris Taylor, Assistant Engineer - Luke Gibbs, Assistant Engineer - Ben McClusky, Assistant Engineer - Cenzo Townshend, Mixing Engineer - Rob Sellers, Assistant Engineer - Archie Carter, Assistant Engineer - John Davis, Mastering Engineer

(P) 2017 Sony Music Entertainment UK Limited

Chronique

After taking on topics like contemporary media, technology, politics, and world events on 2015's Get to Heaven, art-rockers Everything Everything continue in kind, addressing escalating instability on their fourth album, A Fever Dream. Released in August 2017, it doesn't shy away from politics but doesn't name names, either, instead mixing the absurdity and anxiety of the Zeitgeist with themes of dreams and nightmares, and sleep and wakefulness. On the musical side, songwriters Jonathan Higgs and Alex Robertshaw reported reconnecting with what got them excited about music early in their careers, whether it be experimenting with electronics or a more impulsive guitar sound. The two worked together on every track here for the first time, and the results are confrontational right from the start with the striking dance-rock of "Night of the Long Knives." Lyrics like "There's a car overturned and it isn't stopping anytime soon" and the chorus' "It's a real big shame about your neighborhood" are accompanied by needling, staccato sixteenth notes that move between instruments, as well as driving drums, funky basslines, and sporadic siren-like synths. Catchy and unsettling turn out to be unifying forces on the album. Elsewhere, "Put Me Together" opens with restrained electronic drums, humming keys, and voice samples that sound as if played in reverse. Melodic guitar and Higgs' spacy falsetto enter as the song steadily builds into a cacophonous mix of electronic noise, guitar, improvised drums, and the repeated wail "I've been sleeping," before it again cycles through relative quiet and swirling noise. The more melancholy and ultimately dance-inducing title track goes through similar transformations ("The fear and the fury/Make me feel good"). Though the record includes improvised elements, the songs are a little more predictable, at least in terms of structure, than past albums. They still rattle, croon, and rollick in off-kilter fashion, though, like a steampunk dystopia where everything, even an ostensible ballad, is danceable and has an electric guitar solo. Altogether, A Fever Dream is confrontational, warped, emotionally and aurally high-contrast, and full of turmoil, but reliable in its infectiousness.

© Marcy Donelson /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

folklore: the long pond studio sessions (from the Disney+ special)

Taylor Swift

folklore: the long pond studio sessions (from the Disney+ special)

Taylor Swift

folklore: the long pond studio sessions (from the Disney+ special)

Taylor Swift

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Everything Everything

Raw Data Feel

Everything Everything

Raw Data Feel Everything Everything

Mountainhead

Everything Everything

Mountainhead Everything Everything

The End of the Contender

Everything Everything

The End of the Contender Everything Everything

Get To Heaven (Deluxe)

Everything Everything

Get To Heaven (Deluxe) Everything Everything

RE-ANIMATOR

Everything Everything

RE-ANIMATOR Everything Everything
Dans la même thématique...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

First Two Pages of Frankenstein

The National

Did you know that there's a tunnel under Ocean Blvd

Lana Del Rey

Ohio Players

The Black Keys

Ohio Players The Black Keys

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish