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Gary Burton|Virtuosi

Virtuosi

Gary Burton, Makoto Ozone

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Vibraphonist Gary Burton and jazz pianist Makoto Ozone come together here for improvisatory duets based on classical music pieces. Some of the works are by composers who were very close to the world of jazz, such as Gershwin, Confrey, and even Ravel. Barber was familiar with Burton and his style of improvisation. Other works on the disc are based on more unexpected themes, such as Rachmaninov's Prelude No. 8 for piano and Brahms' Capriccio, Op. 76/2. Most of the pieces start off stating the original work without any changes, with the vibraphone just doubling the piano, and then move very naturally into improvisations centered in some way on the original piece. The harmonic line of the Prelude to Le tombeau de Couperin is kept throughout most of that improvisation. In the Brahms, past the middle section with a hint of Brazilian jazz, snatches of the original theme are developed just as Brahms would have done. The two instruments blend well together, and there is a real rapport between the two musicians, who complement and contrast with each other as inspiration strikes. Burton certainly impresses with the speeds he can reach using four mallets at once. And Ozone is no slouch either, easily handling the Rachmaninov and the first movement of the Gershwin Concerto in F. The one drawback to this package is that the liner notes by Burton do not follow the same order as the works appear on the disc. However, they do provide insights into how and why these particular themes were chosen, adding to the appeal of Burton's and Ozone's ability to build fresh, unique, and far-from-bland versions of these classics.

© TiVo

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Virtuosi

Gary Burton

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1
Le Tombeau De Couperin I (Album Version)
00:05:16

Maurice Ravel, ComposerLyricist - Gary Burton, MainArtist - Marc H. Bonilla, ComposerLyricist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

2
Excursions I (Album Version)
00:05:33

Samuel Barber, ComposerLyricist - Gary Burton, MainArtist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

3
Prelude VIII (Album Version)
00:04:06

Sergei Rachmaninoff, ComposerLyricist - Gary Burton, MainArtist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

4
Milonga (Album Version)
00:06:05

Gary Burton, MainArtist - Jorge Cardoso, ComposerLyricist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

5
Prelude 2 (Album Version)
00:06:24

George Gershwin, ComposerLyricist - Gary Burton, MainArtist

℗ 2002 Concord Records, Inc.

6
Sonata K20 (Album Version)
00:06:36

DOMENICO SCARLATTI, ComposerLyricist - Gary Burton, MainArtist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

7
Impromptu (Album Version)
00:06:06

Gary Burton, MainArtist - Zez Confrey, ComposerLyricist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

8
Piano Concerto In F (Album Version)
00:06:19

George Gershwin, ComposerLyricist - Gary Burton, MainArtist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

9
Lakmé Medley: Berceuse / Duettino (Album Version)
00:10:29

Léo Delibes, ComposerLyricist - Philippe Gille, ComposerLyricist - Gary Burton, MainArtist - Mayhew Lester Lake, ComposerLyricist - Makoto Ozone, MainArtist - Edmond Julien Gondinet, ComposerLyricist

℗ 2002 Concord Records, Inc.

10
Capriccio II (Album Version)
00:05:51

Johannes Brahms, ComposerLyricist - Gary Burton, MainArtist - Makoto Ozone, MainArtist

℗ 2002 Concord Records, Inc.

11
Something Borrowed, Something Blue (Album Version)
00:06:16

Gary Burton, MainArtist - Makoto Ozone, MainArtist, ComposerLyricist

℗ 2002 Concord Records, Inc.

Albumbeschreibung

Vibraphonist Gary Burton and jazz pianist Makoto Ozone come together here for improvisatory duets based on classical music pieces. Some of the works are by composers who were very close to the world of jazz, such as Gershwin, Confrey, and even Ravel. Barber was familiar with Burton and his style of improvisation. Other works on the disc are based on more unexpected themes, such as Rachmaninov's Prelude No. 8 for piano and Brahms' Capriccio, Op. 76/2. Most of the pieces start off stating the original work without any changes, with the vibraphone just doubling the piano, and then move very naturally into improvisations centered in some way on the original piece. The harmonic line of the Prelude to Le tombeau de Couperin is kept throughout most of that improvisation. In the Brahms, past the middle section with a hint of Brazilian jazz, snatches of the original theme are developed just as Brahms would have done. The two instruments blend well together, and there is a real rapport between the two musicians, who complement and contrast with each other as inspiration strikes. Burton certainly impresses with the speeds he can reach using four mallets at once. And Ozone is no slouch either, easily handling the Rachmaninov and the first movement of the Gershwin Concerto in F. The one drawback to this package is that the liner notes by Burton do not follow the same order as the works appear on the disc. However, they do provide insights into how and why these particular themes were chosen, adding to the appeal of Burton's and Ozone's ability to build fresh, unique, and far-from-bland versions of these classics.

© TiVo

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