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A Corte Musical|Villancicos de Portugal

Villancicos de Portugal

A Corte Musical, Rogerio Concalves

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In the 16th and 17th centuries, the city of Évora was one of the most important center of Portuguese polyphony. The so-called "Portuguese school" developed at the city's Gothic cathedral, from which many important musicians emerged who also worked in Spain and in the colonies of the New World. The cathedral archives, which contain numerous musical treasures, bear eloquent witness to this.

Rogerio Gonçalves and A Corte Musical have recorded a selection of sacred and secular villancicos from this source on album. A colourful instrumental accompaniment, including Spanish harp and guitar, strings and percussion, forms the foundation on which the four singers present this stirring music.

The villancico was originally a polyphonic Spanish song with a secular subject, but it was soon adopted into the Christian liturgy and frequently used on high feasts or other religious holidays. The Évora archives contain villancicos with Spanish but also with Portuguese texts, which is a rarity. The alternation between vocal and instrumental music and the contrast between secular and sacred works shows very well the cultural versatility, individuality and expressivity of Portuguese music of the (early) Baroque. © Note1

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Villancicos de Portugal

A Corte Musical

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Ponteio barroco (Rogério Gonçalves)

1
Ponteio barroco
00:05:19

A Corte Musical, Artist, MainArtist - Rogerio Goncalves, Composer - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Amante Deus (Pedro Vaz Rego)

2
Amante Deus
00:03:52

A Corte Musical, Artist, MainArtist - Pedro Vaz Rego, Composer - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

A la villa voy

3
A la villa voy
00:03:38

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Ameaças o morrer (Manuel Botelho de Oliveira)

4
Ameaças o morrer
00:04:19

A Corte Musical, Artist, MainArtist - Manuel Botelho de Oliveira, Composer - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Mas no ay que admirar (Frei Manuel dos Santos)

5
Mas no ay que admirar
00:03:41

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist - Frei Manuel dos Santos, Composer

(C) 2021 Glossa (P) 2021 Glossa

Lundú da corte (Rogério Gonçalves)

6
Lundú da corte
00:04:23

A Corte Musical, Artist, MainArtist - Rogerio Goncalves, Composer - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

O que assombro (Frei Manuel dos Santos)

7
O que assombro
00:03:34

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist - Frei Manuel dos Santos, Composer

(C) 2021 Glossa (P) 2021 Glossa

Ya las sombras de la noche (António Marques Lésbio)

8
Ya las sombras de la noche
00:06:16

A Corte Musical, Artist, MainArtist - Antônio Marques Lésbio, Composer - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Dime como he de portarme (António Marques Lésbio)

9
Dime como he de portarme
00:04:52

A Corte Musical, Artist, MainArtist - Antônio Marques Lésbio, Composer - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Eu e vós, meu doce emprego

10
Eu e vós, meu doce emprego
00:04:48

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Pavana

11
Pavana
00:04:37

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Sentada ao pé de hum rochedo

12
Sentada ao pé de hum rochedo
00:04:04

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Suspenda toda a armonia

13
Suspenda toda a armonia
00:04:04

A Corte Musical, Artist, MainArtist - Rogerio Concalves, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Albumbeschreibung

In the 16th and 17th centuries, the city of Évora was one of the most important center of Portuguese polyphony. The so-called "Portuguese school" developed at the city's Gothic cathedral, from which many important musicians emerged who also worked in Spain and in the colonies of the New World. The cathedral archives, which contain numerous musical treasures, bear eloquent witness to this.

Rogerio Gonçalves and A Corte Musical have recorded a selection of sacred and secular villancicos from this source on album. A colourful instrumental accompaniment, including Spanish harp and guitar, strings and percussion, forms the foundation on which the four singers present this stirring music.

The villancico was originally a polyphonic Spanish song with a secular subject, but it was soon adopted into the Christian liturgy and frequently used on high feasts or other religious holidays. The Évora archives contain villancicos with Spanish but also with Portuguese texts, which is a rarity. The alternation between vocal and instrumental music and the contrast between secular and sacred works shows very well the cultural versatility, individuality and expressivity of Portuguese music of the (early) Baroque. © Note1

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