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Betty Davis|They Say I'm Different

They Say I'm Different

Betty Davis

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Betty Davis' second full-length featured a similar set of songs as her debut, though with Davis herself in the production chair and a radically different lineup. The openers, "Shoo-B-Doop and Cop Him" and "He Was a Big Freak," are big, blowsy tunes with stop-start funk rhythms and Davis in her usual persona as the aggressive sexual predator. On the title track, she reminisces about her childhood and compares herself to kindred spirits of the past, a succession of blues legends she holds fond -- including special time for Bessie Smith, Chuck Berry, and Robert Johnson. A pair of unknowns, guitarist Cordell Dudley and bassist Larry Johnson, do a fair job of replacing the stars from her first record. As a result, They Say I'm Different is more keyboard-dominated than her debut, with prominent electric piano, clavinet, and organ from Merl Saunders, Hershall Kennedy, and Tony Vaughn. The material was even more extreme than on her debut; "He Was a Big Freak" featured a prominent bondage theme, while "Your Mama Wants Ya Back" and "Don't Call Her No Tramp" dealt with prostitution, or at least inferred it. With the exception of the two openers, though, They Say I'm Different lacked the excellent songs and strong playing of her debut; an explosive and outré record, but more a variation on the same theme she'd explored before.
© John Bush /TiVo

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They Say I'm Different

Betty Davis

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1
Shoo-B-Doop and Cop Him
00:03:56

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

2
He Was a Big Freak
00:04:07

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

3
Your Mama Wants Ya Back
00:03:27

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

4
Don't Call Her No Tramp
00:04:05

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

5
Git in There
00:04:45

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

6
They Say I'm Different
00:04:15

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

7
70'S Blues
00:04:59

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

8
Special People
00:03:26

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

9
He Was a Big Freak (Record Plant Rough Mixes)
00:04:42

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

10
Don't Call Her No Tramp (Record Plant Rough Mixes)
00:04:36

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

11
Git in There (Record Plant Rough Mixes)
00:04:37

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

12
70'S Blues (Record Plant Rough Mixes)
00:05:01

Betty Davis, Composer, Author, MainArtist

2016 Light In The Attic 2016 Light In The Attic

Albumbeschreibung

Betty Davis' second full-length featured a similar set of songs as her debut, though with Davis herself in the production chair and a radically different lineup. The openers, "Shoo-B-Doop and Cop Him" and "He Was a Big Freak," are big, blowsy tunes with stop-start funk rhythms and Davis in her usual persona as the aggressive sexual predator. On the title track, she reminisces about her childhood and compares herself to kindred spirits of the past, a succession of blues legends she holds fond -- including special time for Bessie Smith, Chuck Berry, and Robert Johnson. A pair of unknowns, guitarist Cordell Dudley and bassist Larry Johnson, do a fair job of replacing the stars from her first record. As a result, They Say I'm Different is more keyboard-dominated than her debut, with prominent electric piano, clavinet, and organ from Merl Saunders, Hershall Kennedy, and Tony Vaughn. The material was even more extreme than on her debut; "He Was a Big Freak" featured a prominent bondage theme, while "Your Mama Wants Ya Back" and "Don't Call Her No Tramp" dealt with prostitution, or at least inferred it. With the exception of the two openers, though, They Say I'm Different lacked the excellent songs and strong playing of her debut; an explosive and outré record, but more a variation on the same theme she'd explored before.
© John Bush /TiVo

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