Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Released in 1982, this album of vocal duets with continuo was a landmark of the early music movement. It has been reissued several times, appearing in 2012 on the revived Archiv Produktion imprint from Germany. Steffani was a famous composer during the mid-Baroque era, known for decades across the length and breadth of Europe, but even the Baroque revival has never quite given him his due. Part of the reason is that his works are brutally difficult, and it often takes a Cecilia Bartoli (whose Steffani album is most enthusiastically recommended) to pull them off. These little duets, on extravagant romantic themes, are sectional pieces of great subtlety and charm. The album, with a quartet of singers of the era accompanied by Baroque vocal-music pioneer Alan Curtis on harpsichord, is not quite in that league, but it's worth remembering that it was among the first albums of its kind even to enter the ballpark, and it has held up very well. The singers catch the varied qualities of these duets, which make up in inventive part-writing what they lack in sheer fireworks. Sample the humorous No, no, no, non voglio se devo amare (track 7). By the standards of 2012 Curtis' harpsichord is rather sedate, yet the entire performance seems to be under his control. Though billed as being recorded during the 1981 Berliner Festwochen, this is a studio recording; the sound is adequate, but the engineers were behind the musicians in fluency with this material. Still competitive with the few other recordings available of this very rich Baroque repertory.
© TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Duetti Da Camera (Agostino Steffani)
Traditional, Author - John Elwes, Tenor, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Daniela Mazzucato, Mezzo-Soprano, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - Paul Esswood, Counter-Tenor, MainArtist, AssociatedPerformer - Carolyn Watkinson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - John Elwes, Tenor, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Daniela Mazzucato, Soprano, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - Paul Esswood, Counter-Tenor, MainArtist, AssociatedPerformer - Carolyn Watkinson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - Paul Esswood, Counter-Tenor, MainArtist, AssociatedPerformer - Carolyn Watkinson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - John Elwes, Tenor, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Daniela Mazzucato, Soprano, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - Paul Esswood, Counter-Tenor, MainArtist, AssociatedPerformer - John Elwes, Tenor, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Traditional, Author - Carolyn Watkinson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alan Curtis, Director, Harpsichord, MainArtist, AssociatedPerformer - Daniela Mazzucato, Soprano, MainArtist, AssociatedPerformer - Heinz Wildhagen, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Wouter Möller, Cello, MainArtist, AssociatedPerformer - Agostino Steffani, Composer - Dr. Andreas Holschneider, Producer - Hans-Rudolf Müller, Editor, StudioPersonnel - Jörg Iwaschuta, Recording Engineer, StudioPersonnel
℗ 1982 Deutsche Grammophon GmbH, Berlin
Albumbeschreibung
Released in 1982, this album of vocal duets with continuo was a landmark of the early music movement. It has been reissued several times, appearing in 2012 on the revived Archiv Produktion imprint from Germany. Steffani was a famous composer during the mid-Baroque era, known for decades across the length and breadth of Europe, but even the Baroque revival has never quite given him his due. Part of the reason is that his works are brutally difficult, and it often takes a Cecilia Bartoli (whose Steffani album is most enthusiastically recommended) to pull them off. These little duets, on extravagant romantic themes, are sectional pieces of great subtlety and charm. The album, with a quartet of singers of the era accompanied by Baroque vocal-music pioneer Alan Curtis on harpsichord, is not quite in that league, but it's worth remembering that it was among the first albums of its kind even to enter the ballpark, and it has held up very well. The singers catch the varied qualities of these duets, which make up in inventive part-writing what they lack in sheer fireworks. Sample the humorous No, no, no, non voglio se devo amare (track 7). By the standards of 2012 Curtis' harpsichord is rather sedate, yet the entire performance seems to be under his control. Though billed as being recorded during the 1981 Berliner Festwochen, this is a studio recording; the sound is adequate, but the engineers were behind the musicians in fluency with this material. Still competitive with the few other recordings available of this very rich Baroque repertory.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 00:54:46
- Künstler: Daniela Mazzucato Carolyn Watkinson Paul Esswood John Elwes Wouter Möller Alan Curtis
- Komponist: Agostino Steffani
- Label: Archiv Produktion
- Genre: Klassik
© 2012 Deutsche Grammophon GmbH, Berlin, Under exclusive license to Deutsche Grammophon & Decca Classics, U.S., a Division of UMG Recordings, Inc. This Compilation ℗ 1982 Deutsche Grammophon GmbH, Berlin, Under exclusive license to Deutsche Grammophon & Decca Classics, U.S., a Division of UMG Recordings, Inc.
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.