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Javier Ruibal|Sahara

Sahara

Javier Ruibal

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Sahara, Javier Ruibál's first international release, combines tracks from his previous two Spanish records, 2001's Las Damas Primeras and 1997's Contrabando, and adds a spare track to make the album an original. With a lack of any of his material previously coming out of Spain, Ruibál stands as an entirely new artist on the world music scene. His music is essentially rooted within the flamenco tradition, but with a heavier emphasis on the lyrical content, forming a fully developed poetry around his subjects, usually women. Vocally, Ruibál is one of the more emotive singers one can hear since the passing of El Camarón de la Isla, as he forces his emotions upon the listener regardless of language. Instrumentally, Ruibál is an able guitarist, but gives the front lines of the instrumental work to Tito Alcedo, who plays a good Tomatito to Ruibál's Camarón. There are aspects of North African music incorporated into the compositions, but slyly enough that they're disguised by the flamenco basis. Cuban big band music pops into the picture for the space of a song with a large horn section in "Vino y Besos," and jazz is also quietly incorporated through the occasional addition of a piano or trumpet (such as "Boca de Rosa" and "La Flor de Estambul," the new song), but Ruibál's vocal delivery is essentially unchanged throughout, still performing exquisite flamenco vocals but in a new setting. While the music remains at a high level of performance throughout the course of the album, the focus is always on Ruibál's voice, and it probably should be. Ruibál has an excellent set of chords and displays their prowess very capably, immersing the listener in a wealth of material that's moving on an emotional level and quite good on the technical levels at the same time. Anyone looking for someone who will be a major mover on the flamenco, Javier Ruibál is certainly the person to listen to, and this album is a quality effort.

© Adam Greenberg /TiVo

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Sahara

Javier Ruibal

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1
Isla Mujeres
00:04:19

Javier Ruibal, Composer, MainArtist - 18 Chulos Records, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

2
La Reina De Africa
00:04:01

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

3
Toito Cai Lo Traigo Andao
00:04:16

Javier Ruibal, Composer, MainArtist - 18 Chulos Records, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

4
Vino Y Besos
00:03:53

Javier Ruibal, Composer, MainArtist - 18 Chulos Records, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

5
Perla De La Medina
00:03:51

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

6
Dame Tu Boca
00:04:09

Javier Ruibal, Composer, MainArtist - Mari Pau Dominguez, Composer - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

7
Bella En Lisboa
00:04:54

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

8
Aurora
00:04:42

Javier Ruibal, Composer, MainArtist - 18 Chulos Records, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

9
Boca De Rosa
00:04:30

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

10
Por Malo Que Sea El Ron
00:03:44

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

11
Por La Puerta De Elvira
00:03:50

Javier Ruibal, Composer, MainArtist - 18 Chulos Records, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

12
El Naufrago Del Sahara
00:05:08

Javier Ruibal, Composer, MainArtist - 18 Chulos Records, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

13
Tabaco Y Tinto De Verano
00:04:10

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

14
Un Ave Del Paraiso
00:03:55

Javier Ruibal, Composer, MainArtist - Xarel-Lo, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

15
La Flor De Estambul
00:03:35

Erik Satie, Composer - Javier Ruibal, Composer, MainArtist - Don Lucena, MusicPublisher

(C) 2003 Riverboat Records/World Music Network (P) 2003 Riverboat Records/World Music Network

Albumbeschreibung

Sahara, Javier Ruibál's first international release, combines tracks from his previous two Spanish records, 2001's Las Damas Primeras and 1997's Contrabando, and adds a spare track to make the album an original. With a lack of any of his material previously coming out of Spain, Ruibál stands as an entirely new artist on the world music scene. His music is essentially rooted within the flamenco tradition, but with a heavier emphasis on the lyrical content, forming a fully developed poetry around his subjects, usually women. Vocally, Ruibál is one of the more emotive singers one can hear since the passing of El Camarón de la Isla, as he forces his emotions upon the listener regardless of language. Instrumentally, Ruibál is an able guitarist, but gives the front lines of the instrumental work to Tito Alcedo, who plays a good Tomatito to Ruibál's Camarón. There are aspects of North African music incorporated into the compositions, but slyly enough that they're disguised by the flamenco basis. Cuban big band music pops into the picture for the space of a song with a large horn section in "Vino y Besos," and jazz is also quietly incorporated through the occasional addition of a piano or trumpet (such as "Boca de Rosa" and "La Flor de Estambul," the new song), but Ruibál's vocal delivery is essentially unchanged throughout, still performing exquisite flamenco vocals but in a new setting. While the music remains at a high level of performance throughout the course of the album, the focus is always on Ruibál's voice, and it probably should be. Ruibál has an excellent set of chords and displays their prowess very capably, immersing the listener in a wealth of material that's moving on an emotional level and quite good on the technical levels at the same time. Anyone looking for someone who will be a major mover on the flamenco, Javier Ruibál is certainly the person to listen to, and this album is a quality effort.

© Adam Greenberg /TiVo

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