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The Crusaders|Royal Jam

Royal Jam

The Crusaders, B.B. King, Royal Philharmonic Orchestra

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Text in englischer Sprache verfügbar

Around this time in their heyday, the Crusaders were experimenting with orchestral/jazz fusions in concert -- and MCA thought enough of them to capture the music in London's Royal Festival Hall one fine summer. Crusader pianist/sparkplug Joe Sample evidently arranged and orchestrated all of the Royal Philharmonic's parts himself, not necessarily with the expertise of a full-time practitioner of the craft. Too often, the orchestrations are piled on with a shovel; the orchestral "Overture" is a particularly mawkish piece of work. But the Crusaders still had their signature rhythm section pumping away, with drummer Stix Hooper in a particularly propulsive mood all night -- and they carry the excess weight easily along in the funky groove. Things come to a peak when fellow MCA signee B.B. King slips on to the stage, first in a stomping "The Thrill Is Gone" and then in one of the most infectious tracks he or the Crusaders ever cut, "Better Not Look Down." It's a master class in economy, every guitar note landing squarely in Stix's pocket, Sample matching every brief lick with a funky comment on the electric piano, the King's command over the British audience complete. King also tries out the big Crusaders vocal hit "Street Life," but this time, guest singer Josie James has him beat -- and there are some evidently unplanned numbers for King and the Crusaders as encores. Elsewhere, guitarist David T. Walker is on-hand to provide economic, to-the-point commentary in his own style; James is also featured in an exuberant "Burnin' Up the Carnival." Apart from his reliable comping on electric piano. Sample also provides some elaborate elegance on solo acoustic piano on "Fly With Wings of Love," while tenor player Wilton Felder acts as the genial emcee. The original double-LP issue took in the second half of the programs in London -- about an hour of music, easily transferable to one CD -- and it's one of the band's most enjoyable albums of that period.
© Richard S. Ginell /TiVo

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Royal Jam

The Crusaders

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1
Overture (I'm So Glad I'm Standing Here Today) (Live (1981/Royal Festival Hall, London))
00:05:52

Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, ComposerLyricist - Will Jennings, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

2
One Day I'll Fly Away (Live (1981/Royal Festival Hall, London))
00:05:49

Royal Philharmonic Orchestra, FeaturedArtist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Fly With Wings Of Love (Live (1981/Royal Festival Hall, London))
00:09:49

Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Burnin' Up The Carnival (Live (1981/Royal Festival Hall, London))
00:05:45

Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, Composer - Will Jennings, Author - Josie James, FeaturedArtist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Last Call (Live At The Royal Festival Hall, London/1981)
00:07:59

Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, ComposerLyricist - The Crusaders, Producer, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

6
The Thrill Is Gone (Live (1981/Royal Festival Hall, London))
00:05:24

B.B. King, Participant, FeaturedArtist - Royal Philharmonic Orchestra, FeaturedArtist - Roy Hawkins, ComposerLyricist - Rick Darnell, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Better Not Look Down (Live (1981/Royal Festival Hall, London))
00:06:22

B.B. King, Participant, FeaturedArtist - Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, ComposerLyricist - Will Jennings, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Hold On (Live (1981/Royal Festival Hall, London))
00:04:24

Leonard Caston, ComposerLyricist - B.B. King, Participant, FeaturedArtist - Royal Philharmonic Orchestra, FeaturedArtist - Andrew Lloyd Webber, ComposerLyricist - JOE SAMPLE, ComposerLyricist - Will Jennings, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Street Life (Live (1981/Royal Festival Hall, London))
00:07:56

B.B. King, Participant, FeaturedArtist - Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, ComposerLyricist - Will Jennings, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

10
I Just Can't Leave Your Love Alone (Live (1981/Royal Festival Hall, London))
00:04:15

B.B. King, Participant, FeaturedArtist - Royal Philharmonic Orchestra, FeaturedArtist - JOE SAMPLE, ComposerLyricist - Will Jennings, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Never Make A Move Too Soon (Live (1981/Royal Festival Hall, London))
00:04:12

Stix Hooper, ComposerLyricist - B.B. King, FeaturedArtist - Royal Philharmonic Orchestra, FeaturedArtist - Will Jennings, ComposerLyricist - The Crusaders, MainArtist

℗ 1982 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Around this time in their heyday, the Crusaders were experimenting with orchestral/jazz fusions in concert -- and MCA thought enough of them to capture the music in London's Royal Festival Hall one fine summer. Crusader pianist/sparkplug Joe Sample evidently arranged and orchestrated all of the Royal Philharmonic's parts himself, not necessarily with the expertise of a full-time practitioner of the craft. Too often, the orchestrations are piled on with a shovel; the orchestral "Overture" is a particularly mawkish piece of work. But the Crusaders still had their signature rhythm section pumping away, with drummer Stix Hooper in a particularly propulsive mood all night -- and they carry the excess weight easily along in the funky groove. Things come to a peak when fellow MCA signee B.B. King slips on to the stage, first in a stomping "The Thrill Is Gone" and then in one of the most infectious tracks he or the Crusaders ever cut, "Better Not Look Down." It's a master class in economy, every guitar note landing squarely in Stix's pocket, Sample matching every brief lick with a funky comment on the electric piano, the King's command over the British audience complete. King also tries out the big Crusaders vocal hit "Street Life," but this time, guest singer Josie James has him beat -- and there are some evidently unplanned numbers for King and the Crusaders as encores. Elsewhere, guitarist David T. Walker is on-hand to provide economic, to-the-point commentary in his own style; James is also featured in an exuberant "Burnin' Up the Carnival." Apart from his reliable comping on electric piano. Sample also provides some elaborate elegance on solo acoustic piano on "Fly With Wings of Love," while tenor player Wilton Felder acts as the genial emcee. The original double-LP issue took in the second half of the programs in London -- about an hour of music, easily transferable to one CD -- and it's one of the band's most enjoyable albums of that period.
© Richard S. Ginell /TiVo

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