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Pee Wee Crayton|Pee Wee's Blues: The Complete Aladdin And Imperial Recordings

Pee Wee's Blues: The Complete Aladdin And Imperial Recordings

Pee Wee Crayton

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Crayton was fading fast commercially by the time he cut these sides in the 1950s, though his vocal and instrumental skills, particularly his stinging guitar, were undimmed. Aside from two 1951 tracks cut for Aladdin in 1951, this 20-song compilation is devoted to his mid-'50s hitch with Imperial. The label had him record in New Orleans with Dave Bartholomew and other local musicians, giving many of these sides a hybrid jump blues/New Orleans R&B feel (Imperial would use the same approach with Roy Brown around this time). It's not his very best work, but even at its slightest this is pleasant. It's most effective, however, when the Crescent City touches are muted in favor of slicing straight-ahead blues riffing, as on the instrumental "Blues Before Dawn." Another obscure cut, "Do Unto Others," is nothing less than a revelation, boasting a light-years-ahead-of-its-time opening riff that sounds almost identical to the blast of notes that opens the Beatles' "Revolution," cut nearly 15 years later.

© Richie Unterberger /TiVo

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Pee Wee's Blues: The Complete Aladdin And Imperial Recordings

Pee Wee Crayton

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1
When It Rains It Pours
00:03:01

Pee Wee Crayton, Composer, MainArtist - Peter Welding, Producer

℗ 1951 Capitol Records, LLC

2
Daybreak
00:02:40

Pee Wee Crayton, Composer, Guitar, Vocals, MainArtist, AssociatedPerformer - Peter Welding, Producer

℗ 1946 Capitol Records, LLC

3
Win-O
00:02:16

Pee Wee Crayton, Composer, MainArtist - Peter Welding, Producer

℗ 1954 Capitol Records, LLC

4
Do Unto Others
00:02:21

Dave Bartholomew, Composer - Pee Wee Crayton, MainArtist - Peter Welding, Producer

℗ 1954 Capitol Records Inc.

5
Every Dog Has His Day
00:02:20

Dave Bartholomew, Composer - Pee Wee Crayton, MainArtist - Peter Welding, Producer

℗ 1954 Capitol Records, LLC

6
Hurry, Hurry
00:02:06

Pee Wee Crayton, MainArtist - E. Frank, Composer - Peter Welding, Producer

℗ 1954 Capitol Records, LLC

7
Eyes Full Of Tears
00:02:07

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1954 Capitol Records, LLC

8
I Need Your Love
00:02:11

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1954 Capitol Records, LLC

9
You Know-Yeah
00:02:33

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1954 Capitol Records, LLC

10
Runnin' Wild
00:02:29

Dave Bartholomew, Composer - Pee Wee Crayton, MainArtist - Peter Welding, Producer

℗ 1954 Capitol Records, LLC

11
My Idea About You
00:02:35

Pee Wee Crayton, MainArtist - Peter Welding, Producer - Jack Goetz, Composer

℗ 1955 Capitol Records, LLC

12
I Got News For You
00:02:39

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1955 Capitol Records, LLC

13
Baby Don't You Cry
00:02:09

N. Washington, Composer - Pee Wee Crayton, MainArtist - Emanuel (E.J.) Johnson, Composer - Peter Welding, Producer

℗ 1955 Capitol Records, LLC

14
Don't Break My Heart
00:02:51

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1955 Capitol Records, LLC

15
Wondering Why
00:01:57

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1955 Capitol Records, LLC

16
Yours Truly
00:02:10

Dave Bartholomew, Composer - Pee Wee Crayton, MainArtist - Peter Welding, Producer

℗ 1955 Capitol Records, LLC

17
I Must Go On
00:02:36

Pee Wee Crayton, MainArtist - Peter Welding, Producer - C. Hunsley, Composer

℗ 1955 Capitol Records, LLC

18
Be Faithful
00:02:02

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1955 Capitol Records, LLC

19
Blues Before Dawn
00:01:59

Pee Wee Crayton, Composer, MainArtist - Peter Welding, Producer

℗ 1955 Capitol Records, LLC

20
Don't Go
00:02:36

Pee Wee Crayton, MainArtist - Peter Welding, Producer - E. Crayton, Composer

℗ 1955 Capitol Records, LLC

Albumbeschreibung

Crayton was fading fast commercially by the time he cut these sides in the 1950s, though his vocal and instrumental skills, particularly his stinging guitar, were undimmed. Aside from two 1951 tracks cut for Aladdin in 1951, this 20-song compilation is devoted to his mid-'50s hitch with Imperial. The label had him record in New Orleans with Dave Bartholomew and other local musicians, giving many of these sides a hybrid jump blues/New Orleans R&B feel (Imperial would use the same approach with Roy Brown around this time). It's not his very best work, but even at its slightest this is pleasant. It's most effective, however, when the Crescent City touches are muted in favor of slicing straight-ahead blues riffing, as on the instrumental "Blues Before Dawn." Another obscure cut, "Do Unto Others," is nothing less than a revelation, boasting a light-years-ahead-of-its-time opening riff that sounds almost identical to the blast of notes that opens the Beatles' "Revolution," cut nearly 15 years later.

© Richie Unterberger /TiVo

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