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John Mellencamp|Mr. Happy Go Lucky

Mr. Happy Go Lucky

John Mellencamp

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Text in englischer Sprache verfügbar

John Mellencamp responded to his massive heart attack and close-call with death with Mr. Happy Go Lucky, the most overtly ambitious album in his career. Mellencamp has always been a bit of a fatalist, so it isn't any great surprise that there is an undercurrent of dark mortality running through most of his songs. What is a surprise is his musical approach. Although he hasn't abandoned the essential elements of his music -- the rootsy instrumentation, the violins, the simple song structures, the gritty folk-rock -- he has augmented it with the help of Junior Vasquez, a noted dance producer. Vasquez doesn't push Mellencamp into dance, but he adds certain dynamics and techniques from club music to Mr. Happy Go Lucky which ocasionally gives the album a greater depth. It's a gentle change, not a forceful one -- nothing sounds like dance music, but there are deeper rhythms and bass throughout the album, which breathes life into well-crafted songs like "Key West Intermezzo." Since he doesn't pursue dance completely on Mr. Happy Go Lucky, Mellencamp doesn't end up alienating his fans, but the reluctance to give himself over to dance makes the album uneven. Ironically, the tracks that exhibit Vasquez's influence the least are the least successful -- they simply sound like Mellencamp is going through the motions. Nevertheless, Mr. Happy Go Lucky proves that Mellencamp has more surprises in him than many listeners would have expected and suggests that he is in the process of revitalizing his career.

© Stephen Thomas Erlewine /TiVo

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Mr. Happy Go Lucky

John Mellencamp

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1
Overture
00:01:56

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

2
Jerry
00:04:24

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

3
Key West Intermezzo (I Saw You First) (Album Version)
00:04:54

Junior Vasquez, Producer - George Green, ComposerLyricist - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp

4
Just Another Day (Single Version)
00:03:27

Junior Vasquez, Producer, Mixer, StudioPersonnel - David Leonard, Mixer, StudioPersonnel - Andy York, Mixer, StudioPersonnel - Little Bastard, Producer - John Mellencamp, Mixer, MainArtist, StudioPersonnel, ComposerLyricist - Mike Wanchic, Producer, Mixer, StudioPersonnel

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

5
This May Not Be The End Of The World
00:05:29

Junior Vasquez, Producer - George Green, ComposerLyricist - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

6
Emotional Love
00:03:20

Junior Vasquez, Producer - Toby Myers, ComposerLyricist - Little Bastard, Producer - John Mellencamp, MainArtist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

7
Mr. Bellows
00:04:26

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

8
The Full Catastrophe
00:03:11

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

9
Circling Around The Moon
00:05:47

Junior Vasquez, Producer - George Green, ComposerLyricist - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

10
Large World Turning
00:03:54

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

11
Jackamo Road
00:01:36

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

12
Life Is Hard
00:03:15

Junior Vasquez, Producer - Little Bastard, Producer - John Mellencamp, MainArtist, ComposerLyricist - Mike Wanchic, Producer

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

13
What If I Came Knocking (Live)
00:05:25

John Mellencamp, MainArtist, ComposerLyricist

℗ 1996 John Mellencamp, under exclusive license to The Island Def Jam Music Group

Albumbeschreibung

John Mellencamp responded to his massive heart attack and close-call with death with Mr. Happy Go Lucky, the most overtly ambitious album in his career. Mellencamp has always been a bit of a fatalist, so it isn't any great surprise that there is an undercurrent of dark mortality running through most of his songs. What is a surprise is his musical approach. Although he hasn't abandoned the essential elements of his music -- the rootsy instrumentation, the violins, the simple song structures, the gritty folk-rock -- he has augmented it with the help of Junior Vasquez, a noted dance producer. Vasquez doesn't push Mellencamp into dance, but he adds certain dynamics and techniques from club music to Mr. Happy Go Lucky which ocasionally gives the album a greater depth. It's a gentle change, not a forceful one -- nothing sounds like dance music, but there are deeper rhythms and bass throughout the album, which breathes life into well-crafted songs like "Key West Intermezzo." Since he doesn't pursue dance completely on Mr. Happy Go Lucky, Mellencamp doesn't end up alienating his fans, but the reluctance to give himself over to dance makes the album uneven. Ironically, the tracks that exhibit Vasquez's influence the least are the least successful -- they simply sound like Mellencamp is going through the motions. Nevertheless, Mr. Happy Go Lucky proves that Mellencamp has more surprises in him than many listeners would have expected and suggests that he is in the process of revitalizing his career.

© Stephen Thomas Erlewine /TiVo

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