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The All-American Rejects|Kids In The Street

Kids In The Street

The All-American Rejects

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Text in englischer Sprache verfügbar

Four years on from When the World Comes Down -- and their fourth record overall -- All-American Rejects return with Kids in the Street, an album that simultaneously finds the emo-lite quartet maturing and embracing the sugar rush of pop. Certainly, Kids in the Street finds AAR performing with a musical dexterity they didn't quite have a decade earlier, when they were just kids creating big noise, seeming almost to stumble upon their hooks, whereas everything here is purposeful, a cleanly efficient machine churning out catchy, insistent pop spangled with hints of ‘80s synth pop. Such production flourishes add depth that the perfectly pretty introspective acoustic ballads don’t quite manage to muster, yet those slower tunes do highlight the range All-American Rejects achieve here, their richest and most varied album to date.

© Stephen Thomas Erlewine /TiVo

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Kids In The Street

The All-American Rejects

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1
Someday's Gone
00:03:24

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2011 DGC/Interscope Records

2
Beekeeper’s Daughter
00:03:33

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2011 DGC/Interscope Records

3
Fast & Slow
00:03:59

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

4
Heartbeat Slowing Down Explicit
00:04:44

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

5
Walk Over Me
00:03:58

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2011 DGC/Interscope Records

6
Out The Door
00:03:38

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2011 DGC/Interscope Records

7
Kids In The Street
00:04:45

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

8
Bleed Into Your Mind
00:02:43

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

9
Gonzo
00:05:06

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

10
Affection
00:04:44

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2011 DGC/Interscope Records

11
I For You
00:02:34

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

12
Drown Next To Me
00:06:52

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

13
Someday's Gone (Demo)
00:03:55

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2011 DGC/Interscope Records

14
Bleed Into Your Mind (Demo)
00:02:42

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

15
Do Me Right (Demo)
00:03:34

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

16
Fast & Slow (Demo)
00:03:58

Greg Wells, Producer - The All-American Rejects, MainArtist, ComposerLyricist

℗ 2012 DGC/Interscope Records

Albumbeschreibung

Four years on from When the World Comes Down -- and their fourth record overall -- All-American Rejects return with Kids in the Street, an album that simultaneously finds the emo-lite quartet maturing and embracing the sugar rush of pop. Certainly, Kids in the Street finds AAR performing with a musical dexterity they didn't quite have a decade earlier, when they were just kids creating big noise, seeming almost to stumble upon their hooks, whereas everything here is purposeful, a cleanly efficient machine churning out catchy, insistent pop spangled with hints of ‘80s synth pop. Such production flourishes add depth that the perfectly pretty introspective acoustic ballads don’t quite manage to muster, yet those slower tunes do highlight the range All-American Rejects achieve here, their richest and most varied album to date.

© Stephen Thomas Erlewine /TiVo

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