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Dallas Wind Symphony|Garden of Dreams (David Maslanka)

Garden of Dreams (David Maslanka)

David Maslanka

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Using a tonally free but conservative language, David Maslanka writes music that is evocative and gentle-spirited, although occasionally his gestures drift dangerously close to an imitation of John Adams. The composer's devotion to Bach's chorales, and his sometimes veiled, sometimes explicit use of them may account for the serenity that characterizes much of his work. A Child's Garden of Dreams is a wonderful name for a piece of music, and its music delivers in its conjuring of hazy, childlike dreamscapes, although the tranquility of most of the music raises the question: where are the nightmares? Unfortunately, the composer has attached explicitly visual dream images collected by Jung to the movements, and they prove a distraction more than a complement to the musical imagery. They may have been useful in triggering the composer's imagination, but the specificity of Jung's descriptions creates certain expectations in the listener, who then finds him or herself in the position of evaluating the music's effectiveness at matching the detailed descriptions, rather than simply listening. Maslanka's fourth Symphony inhabits a similar musical landscape, but as a symphony it appropriately offers more contrasts and a broader spectrum of moods, including an exuberant finale. It includes a playful section of jazzed-up Bach that sounds silly and out of place, but apart from that, the symphony is attractive and colorfully orchestrated. The Dallas Wind Symphony, under Jerry Junkin, plays with precision, conviction, and high energy.
© TiVo

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Garden of Dreams (David Maslanka)

Dallas Wind Symphony

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1
A Child's Garden of Dreams, Book 1: I. There is a desert on the moon where the dreamer sinks so deeply into the ground that she reaches hell
Jerry Junkin
00:05:00

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

2
A Child's Garden of Dreams, Book 1: II. A drunken woman falls into the water and comes out renewed and sober
Jerry Junkin
00:05:46

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

3
A Child's Garden of Dreams, Book 1: III. A horde of small animals frightens the dreamer. The animals increase to a tremendous size, and one of them devours the little girl.
Dallas Wind Symphony
00:03:17

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

4
A Child's Garden of Dreams, Book 1: IV. A drop of water is seen as it appears when looked at through a microscope. The girl sees that the drop is full of tree branches. This portrays the origin of the world.
Jerry Junkin
00:10:40

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

5
A Child's Garden of Dreams, Book 1: V. An ascent into heaven, where pagan dances are being celebrated; and a descent into hell, where angels are doing good deeds.
Jerry Junkin
00:09:24

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

6
In Memoriam
Jerry Junkin
00:13:18

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

7
Symphony No. 4: Measures 1-332 -
Jerry Junkin
00:07:04

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

8
Symphony No. 4: Measures 333-405 -
Dallas Wind Symphony
00:03:36

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

9
Symphony No. 4: Measures 406-569 -
Dallas Wind Symphony
00:06:32

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

10
Symphony No. 4: Measures 570-711 -
Jerry Junkin
00:04:29

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

11
Symphony No. 4: Measures 712-End
Jerry Junkin
00:08:10

Dallas Wind Symphony, Ensemble - Jerry Junkin, Conductor

Albumbeschreibung

Using a tonally free but conservative language, David Maslanka writes music that is evocative and gentle-spirited, although occasionally his gestures drift dangerously close to an imitation of John Adams. The composer's devotion to Bach's chorales, and his sometimes veiled, sometimes explicit use of them may account for the serenity that characterizes much of his work. A Child's Garden of Dreams is a wonderful name for a piece of music, and its music delivers in its conjuring of hazy, childlike dreamscapes, although the tranquility of most of the music raises the question: where are the nightmares? Unfortunately, the composer has attached explicitly visual dream images collected by Jung to the movements, and they prove a distraction more than a complement to the musical imagery. They may have been useful in triggering the composer's imagination, but the specificity of Jung's descriptions creates certain expectations in the listener, who then finds him or herself in the position of evaluating the music's effectiveness at matching the detailed descriptions, rather than simply listening. Maslanka's fourth Symphony inhabits a similar musical landscape, but as a symphony it appropriately offers more contrasts and a broader spectrum of moods, including an exuberant finale. It includes a playful section of jazzed-up Bach that sounds silly and out of place, but apart from that, the symphony is attractive and colorfully orchestrated. The Dallas Wind Symphony, under Jerry Junkin, plays with precision, conviction, and high energy.
© TiVo

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