Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Scorn|Ellipsis

Ellipsis

Scorn

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Mick Harris has had some small success as a solo artist, after leaving his drumming job for the hardcore band Napalm Death. Technically speaking he makes electronic albums, but the sound of Scorn is distinctly darker, sparser, and sometimes a bit on the boring side. Ambient keyboard drones and drum loops lumber along like chill-out music for vampires. It's ambient music for rock fans, and sometimes a tough sell. Harris gets wise and enlists the skill (and popularity) of acts like Meat Beat Manifesto, Autechre, Coil, and a few others to breathe life into Ellipsis, a remix project that broadened his exposure considerably. This album has some bland moments (some due to Harris's own remixing), but more often than not has something to please everyone. Jack Dangers (Meat Beat Manifesto) turns out an enjoyable, subdued groove for the album's opening remix of Silver Rain Fell. Two tracks later, Coil provides a great 11+ minutes of steady rhythm and mystery for their Dreamspace mix. Of course, no project of this nature would be complete without Bill Laswell, a producer and musician who must be an insomniac for the amount of albums he's participated in. He's a good match for Harris (a frequent collaborator), showing equal parts repetition and gloom, exemplified here in the album's only track with vocals, Night's Ash Black. Next come a passable and basic mix from Scanner, whose strength has always been personified in the found soundbytes of actual cellphone conversations sprinkled throughout the mix. Next the electronic duo of Sean Booth and Rob Brown show up with an exceptional Autechre remix of Falling; one that keeps things minimal, tense, and sinister (fans would agree it harkens back to a time when the group had some warmth). P.C.M. hits the controls next, with a pick-up-the-pace version of The End, firing away at the listener with a drum n' bass intensity -- a welcome cup of coffee in the midst of a mostly downtempo album. Overall, the weight of Scorn bears heavily on the backs of these other musicians, who suffer somewhat by not having dynamic enough material to work with in the first place. Fortunately most of them have enough chops to stay afloat, making this a success for $Mick Harris, and a sacrificial offering from his more talented guests.
© Keir Langley /TiVo

Weitere Informationen

Ellipsis

Scorn

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Silver Rain Fell (Meat Beat Manifesto Mix)
00:08:35

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

2
Exodus (Scorn Mix)
00:05:39

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

3
Dreamspace Coil (Shadow vs. Executioner Mix)
00:11:30

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

4
Night Ash Black Bill Laswell (Slow Black Underground River Mix)
00:15:47

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

5
Night Tide Scanner (Flaneur Electronique Mix)
00:06:30

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

6
Falling Autechre (FR 13 Mix)
00:10:18

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

7
The End Pcm (Nightmare Mix)
00:07:40

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

8
Automata (Germ Mix)
00:06:52

Scorn, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

9
Light Trap (Scorn Mix)
00:06:09

Scorn, Remixer, MainArtist

2009 Earache Records Ltd 2009 Earache Records Ltd

Albumbeschreibung

Mick Harris has had some small success as a solo artist, after leaving his drumming job for the hardcore band Napalm Death. Technically speaking he makes electronic albums, but the sound of Scorn is distinctly darker, sparser, and sometimes a bit on the boring side. Ambient keyboard drones and drum loops lumber along like chill-out music for vampires. It's ambient music for rock fans, and sometimes a tough sell. Harris gets wise and enlists the skill (and popularity) of acts like Meat Beat Manifesto, Autechre, Coil, and a few others to breathe life into Ellipsis, a remix project that broadened his exposure considerably. This album has some bland moments (some due to Harris's own remixing), but more often than not has something to please everyone. Jack Dangers (Meat Beat Manifesto) turns out an enjoyable, subdued groove for the album's opening remix of Silver Rain Fell. Two tracks later, Coil provides a great 11+ minutes of steady rhythm and mystery for their Dreamspace mix. Of course, no project of this nature would be complete without Bill Laswell, a producer and musician who must be an insomniac for the amount of albums he's participated in. He's a good match for Harris (a frequent collaborator), showing equal parts repetition and gloom, exemplified here in the album's only track with vocals, Night's Ash Black. Next come a passable and basic mix from Scanner, whose strength has always been personified in the found soundbytes of actual cellphone conversations sprinkled throughout the mix. Next the electronic duo of Sean Booth and Rob Brown show up with an exceptional Autechre remix of Falling; one that keeps things minimal, tense, and sinister (fans would agree it harkens back to a time when the group had some warmth). P.C.M. hits the controls next, with a pick-up-the-pace version of The End, firing away at the listener with a drum n' bass intensity -- a welcome cup of coffee in the midst of a mostly downtempo album. Overall, the weight of Scorn bears heavily on the backs of these other musicians, who suffer somewhat by not having dynamic enough material to work with in the first place. Fortunately most of them have enough chops to stay afloat, making this a success for $Mick Harris, and a sacrificial offering from his more talented guests.
© Keir Langley /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour
Mehr auf Qobuz
Von Scorn

limerence

Scorn

limerence Scorn

Gyral

Scorn

Gyral Scorn

The Only Place

Scorn

Evanescence

Scorn

Evanescence Scorn

Anamnesis

Scorn

Anamnesis Scorn

Playlists

Das könnte Ihnen auch gefallen...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

The Boy

Mark Knopfler

The Boy Mark Knopfler