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In Dulci Jubilo|Discover Early Music

Discover Early Music

VARIOUS BAND

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Discover Early Music is part of a series covering the history of Western classical music, from medieval times to the present day; each volume contains two CDs and a booklet of about 100 pages, mostly given over to a historical essay keyed to the selections included. One may wonder, when looking at these discs, why no one has done this before, especially in view of book publishers' inability to come up with a good single-volume history with any kind of readability and flair. The reason is that it would be difficult for any label other than Naxos, the plucky Hong Kong-based outfit that has gleefully proved all the doubters wrong by expanding while everyone else was contracting, to pull it off; only Naxos has the vast and varied catalog to make a full-fledged survey of especially the early periods possible. One effect of this project's origins on Naxos is that the medieval period is somewhat underrepresented; we get only eight pieces on the first CD to cover the entire period from Gregorian chant to the era of Dufay and Dunstable in the middle of the fifteenth century. In the early sections of the booklet essay by British editor and writer Lucien Jenkins, one can get through quite a few paragraphs without coming to any music. If there's a hole in the Naxos catalog, it's in the early medieval era, which is usually taken on by specialist ensembles that don't line up with Naxos' cost-cutting aesthetic. But that disadvantage is far outweighed by the generally solid execution of the whole project. One can quibble with Jenkins' text at isolated moments, but overall it is a clear, well-informed introduction. If there's one reason for the public's comparative lack of interest in the music of the Middle Ages and Renaissance as compared with the art of the era, it is that appreciating the technique of a Josquin or a Machaut, as opposed to a Michelangelo or Giotto, depends on an awareness of technical processes that are not directly visible. In dealing with more complex forms, Jenkins excels. He lays out just enough information to make the general listener aware of the kinds of things that are happening without going into intimidating detail. The performances vary, but the Naxos predilection for recording regional ensembles actually works to the project's advantage; nothing sounds strange when juxtaposed with its neighbor on the disc. This album should be ideally suited to the needs of adult-enrichment classes, tourists, and anyone else interested in an introduction to the music of the Middle Ages and Renaissance that can be covered in a few evenings. One caveat: the term early music is sometimes understood to include part of the Baroque era, but this album cuts off with Palestrina, at the end of the sixteenth century.

© TiVo

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Discover Early Music

In Dulci Jubilo

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Antiphonae post Evangelium

1
Antiphonae post Evangelium
In Dulci Jubilo
00:03:20

In dulci jubilo, Choir, MainArtist - Alberto Turco , Conductor

(C) 2005 Naxos (P) 2005 Naxos

Versus Alleluiatici (Anonyme)

2
Adorabo
Nova Schola Gregoriana
00:02:25

Anonymous, Composer - Alberto Turco , Conductor - Nova Schola Gregoriana, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Ordo virtutum (Hildegard von Bingen)

3
In principio omnes creature viruerunt, in medio flores floruerunt
Oxford Camerata
00:08:22

Hildegard Von Bingen, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Viderunt omnes No. 1 (Léonin)

4
Viderunt omnes... (2-part organum)
Tonus Peregrinus
00:02:09

Leonin, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

5
...Fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Tonus Peregrinus
00:00:53

Leonin, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

6
Notum fecit... (2-part organum)
Tonus Peregrinus
00:00:44

Leonin, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

7
...Dominus...
Tonus Peregrinus
00:01:34

Leonin, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

8
...Salutare suum ante conspectum gentium revelavit...
Tonus Peregrinus
00:03:43

Leonin, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

9
...Justitiam suam (plainchant)
Tonus Peregrinus
00:00:32

Leonin, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

Gaudete Christus est natus

10
Gaudete Christus est natus
Oxford Camerata
00:01:40

Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Cantiga de Santa Maria (Anonyme)

11
Cantiga de Santa Maria
Ensemble Unicorn
00:02:22

Anonymous, Composer - Michael Posch, Conductor - Ensemble Unicorn, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Exiit diluculo (Anonyme)

12
Exiit diluculo
Ensemble Oni Wytars
00:02:48

Anonymous, Composer - Ensemble Unicorn, Ensemble - Ensemble Oni Wytars, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Humils, forfaitz, repres e penedens (Guiraut Riquier)

13
Humils forfaitz
Ensemble Unicorn
00:07:00

Michael Posch, Conductor - Guiraut Riquier, Composer - Ensemble Unicorn, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Adieu ces bons vins de Lannoys (Guillaume Dufay)

14
Adieu ces bons vins de Lannoys
Bernhard Landauer
00:05:32

Guillaume DuFay, Composer - Bernhard Landauer, Artist, MainArtist - Michael Posch, Conductor - Ensemble Unicorn, Ensemble

(C) 2005 Naxos (P) 2005 Naxos

Non avra ma'pieta questa mia donna (Francesco Landini)

15
Non avra ma'pieta questa mia donna
Ensemble Unicorn
00:04:18

Francesco Landini, Composer - Michael Posch, Conductor - Ensemble Unicorn, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Non ara may pieta questa mia dona (Francesco Landini)

16
Codex Faenza. Non ara may pieta questa mia dona (Arr. For Chamber Ensemble)
Ensemble Unicorn
00:03:35

Francesco Landini, Composer - Michael Posch, Conductor - Ensemble Unicorn, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Veni Sancte Spiritus - Veni Creator, JD 32 (John Dunstable)

17
Veni Sancte Spiritus - Veni Creator, JD 32
Tonus Peregrinus
00:06:56

John Dunstable, Composer - Tonus Peregrinus, Choir, MainArtist - Antony Pitts, Conductor

(C) 2005 Naxos (P) 2005 Naxos

D'un autre amer (Johannes Ockeghem)

18
D'ung aultre amer
Capilla Flamenca
00:03:07

Johannes Ockeghem, Composer - Capilla Flamenca, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Alleluya

19
Alleluya
Capilla Flamenca
00:01:25

Antoine Busnois, Composer - Capilla Flamenca, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

El grillo

20
El grillo
Shirley Rumsey
00:01:26

Josquin des Prez, Composer - Shirley Rumsey, Artist, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

21
El grillo
Capilla Flamenca
00:01:34

Josquin des Prez, Composer - Capilla Flamenca, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Missa La sol fa re mi

22
Kyrie
Capilla Flamenca
00:02:15

Josquin des Prez, Composer - Capilla Flamenca, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Reveillez vous, cueurs endormis, "Le chant des oiseaux" (Clement Janequin)

23
Le chant des oiseaux
Scholars of London
00:03:14

Clément Janequin, Composer - Scholars of London, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Passe and Medio, Den iersten gaillard

24
Passe and Medio - Den iersten gaillarde
Capilla Flamenca
00:03:07

Tylman Susato, Composer - Capilla Flamenca, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Den III Ronde - Den VI Ronde - Les quatre Branles (Anonyme)

25
Den III ronde - Den VI ronde - Les quatres branles
Convivium Musicum Gothenburgense
00:02:54

Anonymous, Composer - Convivium Musicum Gothenburgense, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Gaillarde I - II - III (Anonyme)

26
Gaillarde I - II - III
Convivium Musicum Gothenburgense
00:02:01

Anonymous, Composer - Convivium Musicum Gothenburgense, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

DISC 2

In nomine (John Taverner)

1
In Nomine
Rose Consort of Viols
00:02:25

John TAVERNER, Composer - Rose Consort of Viols, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

In Nomine, "Crye" (Christopher Tye)

2
In nomine No. 20, "Crye"
Rose Consort of Viols
00:01:54

Christopher Tye, Composer - Rose Consort of Viols, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Spem in alium (Thomas Tallis)

3
Spem in alium
Oxford Camerata
00:12:19

Thomas Tallis, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Mass for 4 voices (William Byrd)

4
Sanctus
Oxford Camerata
00:04:31

William BYRD, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Psaume 130 (Claude Goudimel)

5
Du fond de ma pensee
Claude Goudimel Ensemble
00:04:41

Claude Goudimel, Composer - Claude Goudimel Ensemble, Ensemble, MainArtist - Christine Morel, Conductor

(C) 2005 Naxos (P) 2005 Naxos

The King of Denmark's Galiard (John Dowland)

6
The King of Denmark's Galiard
Rose Consort of Viols
00:01:25

John Dowland, Composer - Rose Consort of Viols, Ensemble, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Book of Songs, Book 2: Flow, my tears, fall from your springs (John Dowland)

7
Flow, My Tears, Fall from Your Springs
Steven Rickards
00:04:02

John Dowland, Composer - Steven Rickards, Artist, MainArtist - Dorothy Linell, Artist

(C) 2005 Naxos (P) 2005 Naxos

Greiner zancker (Heinrich Isaac)

8
Greiner zancker
Ensemble Villanella
00:01:08

Heinrich Isaac, Composer - Ensemble Villanella, Ensemble, MainArtist - Sven Berger, Conductor

(C) 2005 Naxos (P) 2005 Naxos

Tsat een meskin (Jacob Obrecht)

9
Stat ('tsaat) ein meskin
Ensemble Villanella
00:02:05

Ensemble Villanella, Ensemble, MainArtist - Jacob Obrecht, Composer - Sven Berger, Conductor

(C) 2005 Naxos (P) 2005 Naxos

Tiento (Alonso de Mudarra)

10
Tiento
Shirley Rumsey
00:01:45

Alonso Mudarra, Composer - Shirley Rumsey, Artist, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Tribulationem et dolorem (Carlo Gesualdo)

11
Tribulationem et dolorem
Oxford Camerata
00:04:57

Carlo Gesualdo, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Lagrime di San Pietro (Tears of San Pietro) (Orlande de Lassus)

12
Il Magnanimo Pietro
Ars Nova
00:02:20

Orlande De Lassus, Composer - Ars Nova, Choir, MainArtist - Bo Holten, Conductor

(C) 2005 Naxos (P) 2005 Naxos

Missa Susanne un jour (Orlande de Lassus)

13
Kyrie
Oxford Camerata
00:05:42

Orlande De Lassus, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Beau le cristal (Orlande de Lassus)

14
Beau le crystal
Scholars of London
00:01:38

Orlande De Lassus, Composer - Scholars of London, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

O magnum mysterium (Tomás Luis de Victoria)

15
O magnum mysterium
Oxford Camerata
00:04:10

Tomás Luis de Victoria, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Masses, Book 2, Missa Papae Marcelli (Palestrina)

16
Kyrie
Oxford Camerata
00:04:30

Giovanni Pierluigi da Palestrina, Composer - Jeremy Summerly, Conductor - Oxford Camerata, Choir, MainArtist

(C) 2005 Naxos (P) 2005 Naxos

Album review

Discover Early Music is part of a series covering the history of Western classical music, from medieval times to the present day; each volume contains two CDs and a booklet of about 100 pages, mostly given over to a historical essay keyed to the selections included. One may wonder, when looking at these discs, why no one has done this before, especially in view of book publishers' inability to come up with a good single-volume history with any kind of readability and flair. The reason is that it would be difficult for any label other than Naxos, the plucky Hong Kong-based outfit that has gleefully proved all the doubters wrong by expanding while everyone else was contracting, to pull it off; only Naxos has the vast and varied catalog to make a full-fledged survey of especially the early periods possible. One effect of this project's origins on Naxos is that the medieval period is somewhat underrepresented; we get only eight pieces on the first CD to cover the entire period from Gregorian chant to the era of Dufay and Dunstable in the middle of the fifteenth century. In the early sections of the booklet essay by British editor and writer Lucien Jenkins, one can get through quite a few paragraphs without coming to any music. If there's a hole in the Naxos catalog, it's in the early medieval era, which is usually taken on by specialist ensembles that don't line up with Naxos' cost-cutting aesthetic. But that disadvantage is far outweighed by the generally solid execution of the whole project. One can quibble with Jenkins' text at isolated moments, but overall it is a clear, well-informed introduction. If there's one reason for the public's comparative lack of interest in the music of the Middle Ages and Renaissance as compared with the art of the era, it is that appreciating the technique of a Josquin or a Machaut, as opposed to a Michelangelo or Giotto, depends on an awareness of technical processes that are not directly visible. In dealing with more complex forms, Jenkins excels. He lays out just enough information to make the general listener aware of the kinds of things that are happening without going into intimidating detail. The performances vary, but the Naxos predilection for recording regional ensembles actually works to the project's advantage; nothing sounds strange when juxtaposed with its neighbor on the disc. This album should be ideally suited to the needs of adult-enrichment classes, tourists, and anyone else interested in an introduction to the music of the Middle Ages and Renaissance that can be covered in a few evenings. One caveat: the term early music is sometimes understood to include part of the Baroque era, but this album cuts off with Palestrina, at the end of the sixteenth century.

© TiVo

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