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Alex Cline|The Lamp And The Star

The Lamp And The Star

Aina Kemanis

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Right out of the gate, percussionist Alex Cline's first album as a composer demonstrates the man's knack for conjuring timeless, elemental music. Minimal ambience opens most tracks, with Cline's love of Asian percussion evident with the use of gongs and Tibetan singing bowls. In "Emerald Light," these bowls create a meditatively soothing yet wholly alien radio signal, paving the way for Aina Kemanis' hauntingly clear "la la" vocals that entwine seamlessly with the brooding strings of Jeff Gauthier's violin. Eric Von Essen's sadly bowed bass on "Accepting the Chalice" speaks of the deep connection between the sorrows of the universe and free jazz. Cline's connection to states of higher consciousness through music is clear with titles like "Altar Stone," and in this way his compositions fuse Western instruments and tonalities with Eastern meditation, the balance of silence and sound, and an elegiac sense of reverence. The way Kemanis' vocals condense organically out of the nothingness in "Altar Stone," or the way thundering drum rolls give way to falling string showers in "Eminence" betrays Cline's profound grasp of music's connection to the natural world. The similar and essential Sparks Fly Upward and The Constant Flame followed this album.

© TiVo Staff /TiVo

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The Lamp And The Star

Alex Cline

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1
A Blue Robe In The Distance
00:16:03

Geoff Sykes, Recording Engineer, StudioPersonnel - Jan Erik Kongshaug, Mixer, StudioPersonnel - Nels Cline, Producer, Voice, MainArtist, AssociatedPerformer - Alex Cline, Composer, Producer, Percussion, MainArtist, AssociatedPerformer - Hank Roberts, Cello, MainArtist, AssociatedPerformer - Jeff Gauthier, Viola, Violin, MainArtist, AssociatedPerformer - Susan Rawcliffe, Didgeridoo, AssociatedPerformer - Aina Kemanis, Voice, MainArtist, AssociatedPerformer - Wayne Peet, Piano, MainArtist, AssociatedPerformer - Eric Von Essen, Double Bass, MainArtist, AssociatedPerformer - Ira Rubnitz, Asst. Recording Engineer, StudioPersonnel

℗ 1989 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Eminence
00:06:24

Geoff Sykes, Recording Engineer, StudioPersonnel - Jan Erik Kongshaug, Mixer, StudioPersonnel - Nels Cline, Producer, Voice, MainArtist, AssociatedPerformer - Alex Cline, Composer, Producer, Percussion, MainArtist, AssociatedPerformer - Hank Roberts, Cello, MainArtist, AssociatedPerformer - Jeff Gauthier, Viola, Violin, MainArtist, AssociatedPerformer - Susan Rawcliffe, Didgeridoo, AssociatedPerformer - Aina Kemanis, Voice, MainArtist, AssociatedPerformer - Wayne Peet, Piano, MainArtist, AssociatedPerformer - Eric Von Essen, Double Bass, MainArtist, AssociatedPerformer - Ira Rubnitz, Asst. Recording Engineer, StudioPersonnel

℗ 1989 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
Emerald Light
00:07:22

Geoff Sykes, Recording Engineer, StudioPersonnel - Jan Erik Kongshaug, Mixer, StudioPersonnel - Nels Cline, Producer, Voice, MainArtist, AssociatedPerformer - Alex Cline, Composer, Producer, Percussion, MainArtist, AssociatedPerformer - Hank Roberts, Cello, MainArtist, AssociatedPerformer - Jeff Gauthier, Viola, Violin, MainArtist, AssociatedPerformer - Susan Rawcliffe, Didgeridoo, AssociatedPerformer - Aina Kemanis, Voice, MainArtist, AssociatedPerformer - Wayne Peet, Piano, MainArtist, AssociatedPerformer - Eric Von Essen, Double Bass, MainArtist, AssociatedPerformer - Ira Rubnitz, Asst. Recording Engineer, StudioPersonnel

℗ 1989 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
Altar Stone
00:12:57

Geoff Sykes, Recording Engineer, StudioPersonnel - Jan Erik Kongshaug, Mixer, StudioPersonnel - Nels Cline, Producer, Voice, MainArtist, AssociatedPerformer - Alex Cline, Composer, Producer, Percussion, MainArtist, AssociatedPerformer - Hank Roberts, Cello, MainArtist, AssociatedPerformer - Jeff Gauthier, Viola, Violin, MainArtist, AssociatedPerformer - Susan Rawcliffe, Didgeridoo, AssociatedPerformer - Aina Kemanis, Voice, MainArtist, AssociatedPerformer - Wayne Peet, Piano, MainArtist, AssociatedPerformer - Eric Von Essen, Double Bass, MainArtist, AssociatedPerformer - Ira Rubnitz, Asst. Recording Engineer, StudioPersonnel

℗ 1989 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
Accepting The Chalice
00:07:05

Geoff Sykes, Recording Engineer, StudioPersonnel - Jan Erik Kongshaug, Mixer, StudioPersonnel - Nels Cline, Producer, Voice, MainArtist, AssociatedPerformer - Alex Cline, Composer, Producer, Percussion, MainArtist, AssociatedPerformer - Hank Roberts, Cello, MainArtist, AssociatedPerformer - Jeff Gauthier, Viola, Violin, MainArtist, AssociatedPerformer - Susan Rawcliffe, Didgeridoo, AssociatedPerformer - Aina Kemanis, Voice, MainArtist, AssociatedPerformer - Wayne Peet, Piano, MainArtist, AssociatedPerformer - Eric Von Essen, Double Bass, MainArtist, AssociatedPerformer - Ira Rubnitz, Asst. Recording Engineer, StudioPersonnel

℗ 1989 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Album review

Right out of the gate, percussionist Alex Cline's first album as a composer demonstrates the man's knack for conjuring timeless, elemental music. Minimal ambience opens most tracks, with Cline's love of Asian percussion evident with the use of gongs and Tibetan singing bowls. In "Emerald Light," these bowls create a meditatively soothing yet wholly alien radio signal, paving the way for Aina Kemanis' hauntingly clear "la la" vocals that entwine seamlessly with the brooding strings of Jeff Gauthier's violin. Eric Von Essen's sadly bowed bass on "Accepting the Chalice" speaks of the deep connection between the sorrows of the universe and free jazz. Cline's connection to states of higher consciousness through music is clear with titles like "Altar Stone," and in this way his compositions fuse Western instruments and tonalities with Eastern meditation, the balance of silence and sound, and an elegiac sense of reverence. The way Kemanis' vocals condense organically out of the nothingness in "Altar Stone," or the way thundering drum rolls give way to falling string showers in "Eminence" betrays Cline's profound grasp of music's connection to the natural world. The similar and essential Sparks Fly Upward and The Constant Flame followed this album.

© TiVo Staff /TiVo

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