Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
In offerta - 50%Lingua disponibile: inglese
This recording of Rachmaninov's Symphony No. 3 in A minor, Op. 44, and Symphonic Dances, Op. 45, is notable in the history of American classical music over and above its specifically musical qualities, for it marks the phoenix-like revival of an orchestra given up for dead. As the finances of America's hardest-hit city declined during the 2007-2010 recession, the orchestra suffered a crippling strike and general gloom about its future. Due not least to the leadership of music director Leonard Slatkin, the organization has rebounded and launched a modest recording program. What's perhaps most exciting about that is the reentry of Detroit's Orchestra Hall, fabled for the recordings made by conductor Paul Paray for the Mercury label's Living Presence series, into the catalog. It is an exceptional 1920s space, modest in size and warm in sound, in all ways closer to what Rachmaninov would have imagined for his music than the modernist sarcophagi with which so many such halls have been replaced. You even get a picture of the hall wedged into Naxos' unvarying design. Slatkin has talked in the past about how he adapts his Rachmaninov performances to this space, and he does so again here. The more garish aspects of the Symphonic Dances, with its Dies irae quotation morphing into a Russian Alleluia, and the percussion parts generally, are kept under control, while the symphony's glorious melodies, the last stand of the Romantic era in 1936, are allowed to flower luxuriantly. A crack Russian or British orchestra might be smoother in places, but there is a confident musicality here that is immensely appealing, and it has everything to do with a group of young players who realize that they are under the gun and have what it takes to succeed, under seasoned leadership. Highly recommended.
© TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Symphony No. 3 in A Minor, Op. 44 (Serge Rachmaninoff)
Detroit Symphony Orchestra - Leonard Slatkin, Conductor
(C) 2013 Naxos (P) 2013 Naxos
Detroit Symphony Orchestra - Leonard Slatkin, Conductor
(C) 2013 Naxos (P) 2013 Naxos
Detroit Symphony Orchestra - Leonard Slatkin, Conductor
(C) 2013 Naxos (P) 2013 Naxos
Symphonic Dances, Op. 45 (Serge Rachmaninoff)
Detroit Symphony Orchestra - Leonard Slatkin, Conductor
(C) 2013 Naxos (P) 2013 Naxos
Detroit Symphony Orchestra - Leonard Slatkin, Conductor
(C) 2013 Naxos (P) 2013 Naxos
Detroit Symphony Orchestra - Leonard Slatkin, Conductor
(C) 2013 Naxos (P) 2013 Naxos
Approfondimenti
This recording of Rachmaninov's Symphony No. 3 in A minor, Op. 44, and Symphonic Dances, Op. 45, is notable in the history of American classical music over and above its specifically musical qualities, for it marks the phoenix-like revival of an orchestra given up for dead. As the finances of America's hardest-hit city declined during the 2007-2010 recession, the orchestra suffered a crippling strike and general gloom about its future. Due not least to the leadership of music director Leonard Slatkin, the organization has rebounded and launched a modest recording program. What's perhaps most exciting about that is the reentry of Detroit's Orchestra Hall, fabled for the recordings made by conductor Paul Paray for the Mercury label's Living Presence series, into the catalog. It is an exceptional 1920s space, modest in size and warm in sound, in all ways closer to what Rachmaninov would have imagined for his music than the modernist sarcophagi with which so many such halls have been replaced. You even get a picture of the hall wedged into Naxos' unvarying design. Slatkin has talked in the past about how he adapts his Rachmaninov performances to this space, and he does so again here. The more garish aspects of the Symphonic Dances, with its Dies irae quotation morphing into a Russian Alleluia, and the percussion parts generally, are kept under control, while the symphony's glorious melodies, the last stand of the Romantic era in 1936, are allowed to flower luxuriantly. A crack Russian or British orchestra might be smoother in places, but there is a confident musicality here that is immensely appealing, and it has everything to do with a group of young players who realize that they are under the gun and have what it takes to succeed, under seasoned leadership. Highly recommended.
© TiVo
Dettagli della registrazione originale : 74:19 - DDD - Enregistré du 25 au 27 novembre 2011 (Symphonie) et du 9 au 11 février 2012 (Danses symphoniques) à Detroit - Notes en anglais
A proposito dell'album
- 1 disco(i) - 6 traccia(e)
- Durata totale: 01:13:56
- 1 Libretto digitale
- Artisti principali: Detroit Symphony Orchestra Leonard Slatkin
- Compositore: Serge Rachmaninoff
- Etichetta: Naxos
- Zona: Russie
- Genere: Classica Musica sinfonica
- Periodo: Musica moderna
(C) 2013 Naxos (P) 2013 Naxos
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.