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Here, on the very same album, are recordings made far apart in time by Martha Argerich and Itzhak Perlman: Schumann’s Sonata Op. 105. Live at a concert in Saratoga on 30th July 1998 represents the first meeting between the two giants of the music scene, whereas the rest of the programme was recorded as recently as March 2016. There is romanticism above all with Schumann and Brahms - of course, the only Scherzo movement is in the “F-A-E” Sonata, a work composed jointly between Schumann, Dietrich and Brahms, but movements are commonly played individually. Argerich and Perlman end with Bach’s Baroque romanticism with one of the sonatas for violin and keyboard, where Bach himself wrote out the keyboard part instead of leaving it as a continuo. Written thusly, the score is a duet among equals, and even more so when the equals in question are these two in particular. © SM/Qobuz
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Violin Sonata No. 1 in A minor, Op. 105 (Robert Schumann)
Robert Schumann, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Robert Schumann, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Robert Schumann, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Fantasiestücke, op. 73 (Robert Schumann)
Robert Schumann, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Robert Schumann, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Robert Schumann, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Sonatensatz in C Minor, Op. posth. "FAE Sonata" (Johannes Brahms)
Johannes Brahms, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Sonata for Violin and Piano in C minor, BWV 1017 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Johann Sebastian Bach, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Johann Sebastian Bach, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Johann Sebastian Bach, Composer - Martha Argerich, Piano, MainArtist - Itzhak Perlman, Violin, MainArtist
© 2016 Parlophone Records Limited, a Warner Music Group Company A Warner Classics release, ℗ 2016 Parlophone Records Limited
Album review
Here, on the very same album, are recordings made far apart in time by Martha Argerich and Itzhak Perlman: Schumann’s Sonata Op. 105. Live at a concert in Saratoga on 30th July 1998 represents the first meeting between the two giants of the music scene, whereas the rest of the programme was recorded as recently as March 2016. There is romanticism above all with Schumann and Brahms - of course, the only Scherzo movement is in the “F-A-E” Sonata, a work composed jointly between Schumann, Dietrich and Brahms, but movements are commonly played individually. Argerich and Perlman end with Bach’s Baroque romanticism with one of the sonatas for violin and keyboard, where Bach himself wrote out the keyboard part instead of leaving it as a continuo. Written thusly, the score is a duet among equals, and even more so when the equals in question are these two in particular. © SM/Qobuz
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:50:53
- 1 Digital booklet
- Main artists: Martha Argerich Itzhak Perlman
- Composer: Various Composers
- Label: Warner Classics
- Genre: Classical
© 2016 Parlophone Records Limited, a Warner Music Group Company ℗ 2016 Parlophone Records Limited, a Warner Music Group Company
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