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Michel Plasson/Les Elements/Orchestre du Capitole de Toulouse/Joël Suhubiette/Rolando Villazon|Berlioz : La Mort d'Orphée, Chant guerrier, Chant sacré...

Berlioz : La Mort d'Orphée, Chant guerrier, Chant sacré...

Rolando Villazon, Orchestre du Capitole de Toulouse, Michel Plasson

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Hector Berlioz seems to have had an affinity for death scenes; besides those in his operas and semi-operas, he composed four death scenes for concert presentation, and two of those are included here, as well as a Marche funèbre for the last scene of Hamlet. Surprisingly, given the subject matter, La mort d'Orphée and La mort d'Ophélie are gently lyrical rather than wrenchingly tragic. Berlioz wrote the cantata La mort d'Orphée, the first of several unsuccessful entries in the Prix de Rome competition, when he was 24. It builds to an impressively dramatic climax, but its final movement is a sweetly melancholy depiction of Orphée's lyre. Scored for tenor solo, women's voices, and orchestra, despite some very effective orchestral writing, it does not hang together very convincingly, or consistently show the composer at his most inspired. La mort d'Ophélie for women's voices and orchestra is an appealing, gently melancholy ballad. Marche funèbre for the last scene of Hamlet, which was written as incidental music for a production of the play that never materialized, is a powerful, nobly understated expression of grief, with a wordless chorus hauntingly deployed. The piece ends the play with the chorus heard from a distance a cappella. The CD also includes several songs for tenor, chorus, and orchestra or piano. Villazón is in fine voice, singing with fullness, a heroic timbre, and the restraint appropriate for the material. He's an unusual artist in that although his voice seems to be ideally suited for a particular repertoire -- Italian 19th century and verismo -- he courageously steps far beyond that comfort zone and beautifully tailors his voice to fit a wide variety of styles. The chorus actually has a much larger role on the recording than Villazón. Choeur Les Eléments, a terrifically engaging ensemble, sings with great sensitivity and panache, and its tone is rich and well blended. Michel Plasson leads Orchestre National du Capitole de Toulouse in colorful, polished accompaniment. Virgin Classics' sound is clean, present, and expansively full. These pieces are mostly minor Berlioz, but the CD should appeal to fans of Romantic choral and vocal music from off the beaten path and anyone who follows Villazón's impressive career.

© TiVo

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Berlioz : La Mort d'Orphée, Chant guerrier, Chant sacré...

Michel Plasson/Les Elements/Orchestre du Capitole de Toulouse/Joël Suhubiette/Rolando Villazon

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1
La Mort d'Orphée, H. 25: I. Introduction
Michel Plasson
00:02:26

Etiénne Collard, Producer - Orchestre Du Capitole De Toulouse, Orchestra - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Henri Berton, Poet

© 2010 EMI Records Ltd/Virgin Classics. ℗ 2003 Parlophone Records Limited, a Warner Music Group Company

2
La Mort d'Orphée, H. 25: II. "Prêtresses de Bacchus ... Ô seul bien qui me reste !" (Tenor)
Michel Plasson
00:04:18

Etiénne Collard, Producer - Orchestre Du Capitole De Toulouse, Orchestra - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, FeaturedArtist - Henri Berton, Poet

© 2010 EMI Records Ltd/Virgin Classics. ℗ 2003 Parlophone Records Limited, a Warner Music Group Company

3
La Mort d'Orphée, H. 25: III. "Quels cris affreux se font entendre ?" (Tenor)
Michel Plasson
00:01:05

Etiénne Collard, Producer - Orchestre Du Capitole De Toulouse, Orchestra - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, FeaturedArtist - Henri Berton, Poet

© 2010 EMI Records Ltd/Virgin Classics. ℗ 2003 Parlophone Records Limited, a Warner Music Group Company

4
La Mort d'Orphée, H. 25: IV. "Ô Dieu puissant, fils de Latone ... Ô Bacchus Evoé !" (Tenor, Chorus)
Michel Plasson
00:03:15

Etiénne Collard, Producer - Orchestre Du Capitole De Toulouse, Orchestra - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, FeaturedArtist - Choeur Les Elements, Chorus - Henri Berton, Poet

© 2010 EMI Records Ltd/Virgin Classics. ℗ 2003 Parlophone Records Limited, a Warner Music Group Company

5
La Mort d'Orphée, H. 25: V. Tableau musical
Michel Plasson
00:02:47

Etiénne Collard, Producer - Orchestre Du Capitole De Toulouse, Orchestra - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Henri Berton, Poet

© 2010 EMI Records Ltd/Virgin Classics. ℗ 2003 Parlophone Records Limited, a Warner Music Group Company

6
Tristia, Op. 18, H 119: I. Méditation religieuse, H 56b
Michel Plasson
00:04:53

Etiénne Collard, Producer - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Choeur Les Elements, Chorus - Orchestre National du Capitole de Toulouse, Orchestra

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

7
Tristia, Op. 18, H 119: II. La mort d'Ophélie, H 92a
Michel Plasson
00:06:10

Etiénne Collard, Producer - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Choeur Les Elements, Chorus - Orchestre National du Capitole de Toulouse, Orchestra

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

8
Tristia, Op. 18, H 119: III. Marche funèbre pour la dernière scène d'Hamlet, H 103
Michel Plasson
00:07:31

Etiénne Collard, Producer - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Choeur Les Elements, Chorus - Orchestre National du Capitole de Toulouse, Orchestra

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

9
Irlande, Op. 2, H 38: VI bis. Chant sacré, H 44b
Rolando Villazón
00:05:16

Etiénne Collard, Producer - Michel Plasson, Conductor - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, MainArtist - Choeur Les Elements, Chorus - Orchestre National du Capitole de Toulouse, Orchestra

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

10
Irlande, Op. 2, H 38: III. Chant guerrier, H 41
Rolando Villazón
00:04:02

Etiénne Collard, Producer - Michel Plasson, Conductor - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, MainArtist - Choeur Les Elements, Chorus - Laurent Naouri, Bass Vocals - David Bismuth, Piano, FeaturedArtist

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

11
Irlande, Op. 2, H 38: V. Chanson à boire, H 43
Rolando Villazón
00:03:38

Etiénne Collard, Producer - Michel Plasson, Conductor - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, MainArtist - Choeur Les Elements, Chorus - David Bismuth, Piano, FeaturedArtist

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

12
Feuillets d'album, Op. 9, H 121: III. Chant des chemins de fer, H 110
Michel Plasson
00:08:31

Etiénne Collard, Producer - Michel Plasson, Conductor, MainArtist - Hector Berlioz, Composer - Les Elements, Chorus, FeaturedArtist - Rolando Villazon, Tenor Vocals - Orchestre National du Capitole de Toulouse, Orchestra

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

13
Irlande, Op. 2, H 38: VI. Chant sacré, H 44a
Rolando Villazón
00:09:05

Etiénne Collard, Producer - Michel Plasson, Conductor - Hector Berlioz, Composer - Rolando Villazon, Tenor Vocals, MainArtist - Choeur Les Elements, Chorus - David Bismuth, Piano, FeaturedArtist

© 2010 EMI Records Ltd/Virgin Classics. A Warner Classics release, ℗ 2003 Parlophone Records Limited

Album review

Hector Berlioz seems to have had an affinity for death scenes; besides those in his operas and semi-operas, he composed four death scenes for concert presentation, and two of those are included here, as well as a Marche funèbre for the last scene of Hamlet. Surprisingly, given the subject matter, La mort d'Orphée and La mort d'Ophélie are gently lyrical rather than wrenchingly tragic. Berlioz wrote the cantata La mort d'Orphée, the first of several unsuccessful entries in the Prix de Rome competition, when he was 24. It builds to an impressively dramatic climax, but its final movement is a sweetly melancholy depiction of Orphée's lyre. Scored for tenor solo, women's voices, and orchestra, despite some very effective orchestral writing, it does not hang together very convincingly, or consistently show the composer at his most inspired. La mort d'Ophélie for women's voices and orchestra is an appealing, gently melancholy ballad. Marche funèbre for the last scene of Hamlet, which was written as incidental music for a production of the play that never materialized, is a powerful, nobly understated expression of grief, with a wordless chorus hauntingly deployed. The piece ends the play with the chorus heard from a distance a cappella. The CD also includes several songs for tenor, chorus, and orchestra or piano. Villazón is in fine voice, singing with fullness, a heroic timbre, and the restraint appropriate for the material. He's an unusual artist in that although his voice seems to be ideally suited for a particular repertoire -- Italian 19th century and verismo -- he courageously steps far beyond that comfort zone and beautifully tailors his voice to fit a wide variety of styles. The chorus actually has a much larger role on the recording than Villazón. Choeur Les Eléments, a terrifically engaging ensemble, sings with great sensitivity and panache, and its tone is rich and well blended. Michel Plasson leads Orchestre National du Capitole de Toulouse in colorful, polished accompaniment. Virgin Classics' sound is clean, present, and expansively full. These pieces are mostly minor Berlioz, but the CD should appeal to fans of Romantic choral and vocal music from off the beaten path and anyone who follows Villazón's impressive career.

© TiVo

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