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Nigel North|Musique pour luth (volume 2) : Dowland's Tears

Musique pour luth (volume 2) : Dowland's Tears

John Dowland

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This is the second of two discs by British-American lutenist Nigel North covering the complete lute music of John Dowland, the lutenist Shakespeare would likely have thought of when he thought of the lute. The division of pieces between the two discs is logical, with Dowland's most famous instrumental work, the Lachrimae Pavan, included here along with a group of other pieces that are related to it in some way. The Lachrimae Pavan lives up to its name, but along with Dowland's self-professed melancholy came a more meditative quality; he seemed to enjoy taking a musical idea and working on it some more, even over and above the penchant of his age for reusing musical material and turning vocal into instrumental works. The "alternative version" of the Lachrimae Pavan, track 17, includes divisions or variations probably not by Dowland, but it is still interesting to hear in this context, and the final Semper Dowland Semper Dolens (Always Dowland, Always Sad) also reworks the Lachrimae idea. These works are joined by other pavans, lute versions of sad songs, a funeral piece, and Dowland's Adieu, and even the few faster-paced galliards have a sober tone. North's readings are not lugubrious but rather tap into the reflective quality of Dowland's music; the contents of the disc are sober, to be sure, but North conveys the feeling of a master musician at work in the chambers of a noble patron, setting high standards of skill, refinement, and imagination. The program makes sense on its own as a Dowland lute disc for those who may not want the set of two. The only downside is excessively big, boomy sound, recorded in a Canadian church (was a church a typical locale for a lute performance?) that unforgivingly exposes every little non-tonal noise of the lute.
© TiVo

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Musique pour luth (volume 2) : Dowland's Tears

Nigel North

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Lachrimae Pavan (John Dowland)

1
Lachrimae Pavan, P. 15
00:05:21

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Galliard to Lachrimae, P. 46 (John Dowland)

2
Galliard to Lachrimae, P. 46
00:02:41

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Pavan in G minor, P. 16 (John Dowland)

3
Pavan in G Minor, P. 16
00:05:12

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

A Varietie of Lute Lessons (John Dowland)

4
The Earl of Essex, his Galliard, P. 42, "Can she excuse"
00:01:54

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Pavan in G minor, P. 18 (John Dowland)

5
Pavan in G Minor, P. 18
00:05:39

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Giles Hoby's Galliard, P. 29 (John Dowland)

6
M. Giles Hobie's Galliard, P. 29
00:01:57

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Dowland's Tears (after Dowland's Book of Songs, Book 2: I saw my lady weep)

7
Dowland's Tears (arr. N. North of I Saw My Lady Weep)
00:02:07

Nigel North, Composer, Performer

2006 Naxos 2006 Naxos

Sir Henry Umpton's Funeral, H. 9 (arr. for lute) (John Dowland)

8
Sir Henry Umpton's Funeral, H. 9 (arr. for lute)
00:05:59

John Dowland, Composer - Nigel North, Performer - Anonymous, Composer

2006 Naxos 2006 Naxos

Mr. John Langton's Pavan, P. 14 (John Dowland)

9
Sir John Langton's Pavan, P. 14a
00:05:43

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Mr. Langton's Galliard, P. 33 (John Dowland)

10
Mr Langton's Galliard, P. 33
00:02:36

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Piper's Pavan, P. 8 (John Dowland)

11
Piper's Pavan, P. 8
00:05:16

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Captain Digorie Piper's Galliard, P. 19 (John Dowland)

12
Captain Digorie Piper's Galliard, P. 19
00:01:53

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Resolution, P. 13 (John Dowland)

13
Dowland's Adieu for Master Oliver Cromwell (arr. for lute)
00:04:58

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Galliard in G minor, P. 30 (John Dowland)

14
Galliard in G Minor, P. 30
00:01:59

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Mignarda, P. 34 (John Dowland)

15
Mignarda, P. 34, "Mr Henry Noel's Galliard"
00:03:00

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Lachrimae (alternative version) (John Dowland)

16
Lachrimae (alternative version)
00:05:15

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Semper Dowland semper dolens, P. 9 (John Dowland)

17
Semper Dowland semper dolens, P. 9
00:04:22

John Dowland, Composer - Nigel North, Performer

2006 Naxos 2006 Naxos

Album review

This is the second of two discs by British-American lutenist Nigel North covering the complete lute music of John Dowland, the lutenist Shakespeare would likely have thought of when he thought of the lute. The division of pieces between the two discs is logical, with Dowland's most famous instrumental work, the Lachrimae Pavan, included here along with a group of other pieces that are related to it in some way. The Lachrimae Pavan lives up to its name, but along with Dowland's self-professed melancholy came a more meditative quality; he seemed to enjoy taking a musical idea and working on it some more, even over and above the penchant of his age for reusing musical material and turning vocal into instrumental works. The "alternative version" of the Lachrimae Pavan, track 17, includes divisions or variations probably not by Dowland, but it is still interesting to hear in this context, and the final Semper Dowland Semper Dolens (Always Dowland, Always Sad) also reworks the Lachrimae idea. These works are joined by other pavans, lute versions of sad songs, a funeral piece, and Dowland's Adieu, and even the few faster-paced galliards have a sober tone. North's readings are not lugubrious but rather tap into the reflective quality of Dowland's music; the contents of the disc are sober, to be sure, but North conveys the feeling of a master musician at work in the chambers of a noble patron, setting high standards of skill, refinement, and imagination. The program makes sense on its own as a Dowland lute disc for those who may not want the set of two. The only downside is excessively big, boomy sound, recorded in a Canadian church (was a church a typical locale for a lute performance?) that unforgivingly exposes every little non-tonal noise of the lute.
© TiVo

Details of the original recording : 66:03 - DDD - Enregistré en juin 2005 en l'église Saint John Chrysostome à NewMarket, Ontario (Canada) - Notes en anglais & allemand

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