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Andreas Scholl|Arias for Senesino

Arias for Senesino

Andreas Scholl, Accademia Bizantina, Ottavio Dantone

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Countertenor Andreas Scholl's Arias for Senesino collects operatic arias of the early eighteenth century, written for the castrato Senesino, whose real name was Francesco Bernardi. This focus on the music associated with a single individual has several benefits: it places the listener in the position of an opera goer of Senesino's time, awaiting the next appearance of a performer who can justifiably be called a star, and it illuminates the ways composers tailored music to a particular singer. Composers represented include Handel, who recruited Senesino to sing at London's Royal Academy of Music; Handel's arias are the largest single group, and for Senesino he created lengthy, leisurely arias that allowed the castrato to put his much-chronicled dramatic skills to work. "Cara sposa," from Rinaldo (1711) is an eight-minute example. Arias by such composers as Albinoni, Alessandro Scarlatti, Antonio Lotti, and Nicola Porpora are also included. These are alto castrato arias, touching on such themes as melancholy, prayer, pastoral love, and fears of impending doom. The material is ideally suited to Scholl's voice, which is creamy, expressive, precisely on pitch, and altogether endearing. He fares less well on the disc's few loud, athletic arias of anger and revenge, but for anyone who enjoys the sound of a countertenor -- a male voice singing in traditionally female ranges -- this is a fine collection from one of the world's top practitioners of the art.

© TiVo

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Arias for Senesino

Andreas Scholl

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Flavio, Re di Longobardi, HWV16 (Nicola Francesco Haym)

1
"Bel contento"
00:05:53

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Nicola Francesco Haym, Author - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

Rodelinda / Act 1 (Nicola Francesco Haym)

2
Pompe vane di morte!
00:02:13

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Nicola Francesco Haym, Author - Andrew Cornall, Producer, Executive Producer - Antonio Salvi, Author, Original Text Author - Pierre Corneille, Author, Original Text Author - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

3
Dove sei, amato bene?
00:04:58

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Nicola Francesco Haym, Author - Andrew Cornall, Producer, Executive Producer - Antonio Salvi, Author, Original Text Author - Pierre Corneille, Author, Original Text Author - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

Astarto - Critical Edition Dr. Alessandro Borin (Tomaso Albinoni)

4
"Stelle ingrate"
00:03:15

Chris Sayers, Producer, Recording Producer - Tomaso Albinoni, Composer - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Apostolo Zeno, Author - Ottavio Dantone, Conductor, MainArtist - Pietro Pariati, Author - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel - Doctor Alessandro Borin, Contributor, Work Editor

℗ 2005 Decca Music Group Limited

Elgelberta - Critical Edition Dr. Alessandro Borin (Tomaso Albinoni)

5
"Selvagge Ameiità
00:03:47

Chris Sayers, Producer, Recording Producer - Tomaso Albinoni, Composer - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Apostolo Zeno, Author - Ottavio Dantone, Conductor, MainArtist - Pietro Pariati, Author - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel - Doctor Alessandro Borin, Contributor, Work Editor

℗ 2005 Decca Music Group Limited

Teofane - Critical Edition Dr. Alessandro Borin (Antonio Lotti)

6
"Discordi pensier"
00:06:52

Chris Sayers, Producer, Recording Producer - Antonio Lotti, Composer - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Stefano Benedetto Pallavicino, Author - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel - Doctor Alessandro Borin, Contributor, Work Editor

℗ 2005 Decca Music Group Limited

Carlo re Allemagna - Critical Edition Dr. Alessandro Borin (Alessandro Scarlatti)

7
"Del ciel su sui giri"
00:05:07

Chris Sayers, Producer, Recording Producer - ALESSANDRO SCARLATTI, Composer - Andrew Cornall, Producer, Executive Producer - Francesco Silvani, Author - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel - Doctor Alessandro Borin, Contributor, Work Editor

℗ 2005 Decca Music Group Limited

Gli odi delusi dal Sangue - Critical Edition Dr. Alessandro Borin (Antonio Lotti)

8
"Fosti caro"
00:05:10

Chris Sayers, Producer, Recording Producer - Antonio Lotti, ComposerLyricist - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel - Doctor Alessandro Borin, Contributor, Work Editor

℗ 2005 Decca Music Group Limited

Giulio Cesare / Act 3 (Nicola Francesco Haym)

9
Dall'ondoso periglio
00:01:42

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Nicola Francesco Haym, Author - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

10
Aure, deh, per pietà
00:05:31

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Nicola Francesco Haym, Author - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

Giulio Cesare / Act 2 (Nicola Francesco Haym)

11
"Al Lampo dell'armi"
00:02:52

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Nicola Francesco Haym, Author - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

Rinaldo / Act 1 (Georg Friedrich Händel)

12
"Cara sposa"
00:09:21

George Frideric Handel, Composer - Chris Sayers, Producer, Recording Producer - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Giacomo Rossi, Author - Torquato Tasso, Author, Original Text Author - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Aaron Hill, Author, Original Text Author - Roberto Brenna, Recording Engineer, StudioPersonnel

℗ 2005 Decca Music Group Limited

Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin (Nicola Porpora)

13
"Va'per le vene il sangue"
00:08:06

Chris Sayers, Producer, Recording Producer - Nicola Porpora, ComposerLyricist - Andrew Cornall, Producer, Executive Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist - Philip Siney, Balance Engineer, StudioPersonnel - Roberto Brenna, Recording Engineer, StudioPersonnel - Doctor Alessandro Borin, Contributor, Work Editor

℗ 2005 Decca Music Group Limited

Album review

Countertenor Andreas Scholl's Arias for Senesino collects operatic arias of the early eighteenth century, written for the castrato Senesino, whose real name was Francesco Bernardi. This focus on the music associated with a single individual has several benefits: it places the listener in the position of an opera goer of Senesino's time, awaiting the next appearance of a performer who can justifiably be called a star, and it illuminates the ways composers tailored music to a particular singer. Composers represented include Handel, who recruited Senesino to sing at London's Royal Academy of Music; Handel's arias are the largest single group, and for Senesino he created lengthy, leisurely arias that allowed the castrato to put his much-chronicled dramatic skills to work. "Cara sposa," from Rinaldo (1711) is an eight-minute example. Arias by such composers as Albinoni, Alessandro Scarlatti, Antonio Lotti, and Nicola Porpora are also included. These are alto castrato arias, touching on such themes as melancholy, prayer, pastoral love, and fears of impending doom. The material is ideally suited to Scholl's voice, which is creamy, expressive, precisely on pitch, and altogether endearing. He fares less well on the disc's few loud, athletic arias of anger and revenge, but for anyone who enjoys the sound of a countertenor -- a male voice singing in traditionally female ranges -- this is a fine collection from one of the world's top practitioners of the art.

© TiVo

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